The Sunday Guardian

AI-generated artworks steal the show at Christie’s auction

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Christie’s, the auction house that has sold paintings by Picasso and Monet at record prices, was poised on 23 October to set another milestone with the first- ever auction of art created by artificial intelligen­ce.

The AI-generated Portrait of Edmond Belamy depicts a slightly blurry chubby man in a dark frock- coat and white collar, and his off-centre position leaves enough white space to show the art- ist’s signature as “min max Ex[ log( D( x))] + Ez[ log( 1D(G(z)))].

While the auction of machine-designed art is a first, some see the sale as yet another work of portraitur­e on the Christie’s auction block.

“It may not have been painted by a man in a powdered wig, but it is exactly the kind of artwork we have been selling for 250 years,” said Christie’s sale organizer Richard Lloyd in a statement.

The portrait offered by Christie’s for sale in New York from 23 October to 25 was created with AI programmed by the Parisbased collective Obvious, whose members include Hugo Caselles- Dupré, Pierre Fautrel and Gauthier Vernier. The work is estimated to fetch $ 7,000 to $ 10,000, according to the auction house.

The artwork was produced as an experiment “in the interface between art and artificial intelligen­ce,” Christie’s said on its website. It was among several portraits produced by AI, all of them arranged in a fictitious Belamy family tree, including Baron de Belamy in a military sash and a countess in pink silks. The AI method is called “generative adversaria­l network” or GAN, and involves a two-part algorithm. Caselles-Dupré, quoted on the website, said the two parts are the Generator and the Discrimina­tor.

First, a set of 15,0000 portraits painted between the 14th and 20th centuries was fed into a computer. Then the Generator made a new image based on that set, and the Discrimina­tor tried to spot the difference between a human-made image and one created by the Generator.

“The aim is to fool the Discrimina­tor into thinking that the new images are real-life portraits,” CasellesDu­pré said. REUTERS

The artwork was produced as an experiment “in the interface between art and artificial intelligen­ce,” Christie’s said on its website. It was among several portraits produced by AI, all of them arranged in a fictitious Belamy family tree, including Baron de Belamy in a military sash and a countess in pink silks. First, a set of 15,0000 portraits painted between the 14th and 20th centuries was fed into a computer. Then the Generator made a new image based on that set, and the Discrimina­tor tried to spot the difference between a human-made image and one created by the Generator.

 ?? REUTERS ?? The artwork La Comtesse de Belamy (2018)—by a team of French entreprene­urs Obvious—was created by the Generative Adversaria­l Network (GAN), an algorithm that learns to generate new images by being fed a database of existing paintings.
REUTERS The artwork La Comtesse de Belamy (2018)—by a team of French entreprene­urs Obvious—was created by the Generative Adversaria­l Network (GAN), an algorithm that learns to generate new images by being fed a database of existing paintings.

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