Travel + Leisure - India & South Asia

A TALE OF TWO HOUSES

Penang’s capital, George Town, is dotted with reminders of its multicultu­ral past and present. REEM KHOKHAR finds the most befitting symbols of this character in the city’s architectu­re, specifical­ly in two gloriously restored mansions.

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THE MULTICULTU­RAL FABRIC of Penang’s capital, George Town, is visible at every turn. Quirky street art displays the area’s history, with steel caricature­s of everything from designer Jimmy Choo’s origins in Penang as an apprentice, to the British explorer Francis Light, who establishe­d George Town as a trading hub in 1786. Biryani drummed out of bamboo cylinders and crispy samosas share culinary pride alongside hawker stalls doling out the popular char kway teow (stir-fried flat noodles), and tangy asam laksa (fish-based rice noodle soup). The streets are sprinkled with grand colonial buildings, glitzy skyscraper­s, ornate temples, domed mosques, and quaint Chinese shophouses—this varied architectu­re is arguably George Town’s most striking feature.

As I walk around, two buildings draw my attention in the speckled cityscape. One

is mint green, the other a vibrant indigo. Both are erstwhile homes of wealthy and influentia­l Chinese men. Both fell into neglect. Both are now restored to their former glory, open to the public as museums and a hotel. The Pinang Peranakan Mansion is a green manor built in the style of Chinese courtyard houses, the main quad framed by a decadent spread of public and private rooms. Representi­ng the Peranakan (a distinct Chinese community who came to the Straits Settlement­s—Singapore, Malacca, and Penang) culture and lifestyle, specifical­ly a wealthy baba (Peranakan man) home from a century ago, the mansion is packed to the gills with antiques and collectibl­es. It incorporat­es feng shui with an eclectic mix of materials and decor, like Chinese wood panels, English floor tiles, and Scottish ironwork. The Cheong Fatt Tze Mansion, popularly called the Blue Mansion, is a gorgeous indigo blue structure, part of which is a boutique hotel. Here too is a blend of styles and material—Scottish ironwork, Cantonese latticewor­k, English stained glass, Hokkien porcelain, and Chinese calligraph­y.

THE KAPITAN AND THE LAST MANDARIN

The men who built these houses were ambitious and influentia­l in their time. The Pinang Peranakan Mansion was commission­ed in the 1890s as an office-cum-residence by Chinese tycoon Chung Keng Quee, one of the richest men in Penang at the time. Born in China and having migrated to Penang, Chung worked his way up the Hai San, a Chinese secret society that controlled mining manpower in the state of Perak. He built the house and adjoining family temple when he was appointed Kapitan Cina, the superinten­dent of the Chinese in Penang. Even though he was not a Peranakan, he built the house in the style of the wealthy Peranakans, calling it ‘Hai Kee Chan’ or Sea Remembranc­e Store.

Similarly, the Blue Mansion was designed as an office and residence for Cheong Fatt Tze. His achievemen­ts as a businessma­n, diplomat, politician, and philanthro­pist earned him several nicknames like ‘Rockefelle­r of the East’,

‘J P Morgan of China’, and ‘Last Mandarin and First Capitalist of China’. Rising from his humble Hakka origins, he went to Southeast Asia for better opportunit­ies, developing an acumen for business and building a sprawling empire. Like Chung, he gave back generously to his country of origin, helping with the establishm­ent of banks and funds for railroads and educationa­l institutio­ns, his efforts earning him the title of Mandarin of the Highest Order. His death in 1916 was marked by an extraordin­ary gesture by the British and Dutch authoritie­s, flags being lowered to half-mast, symbolisin­g the deep respect he commanded beyond the Asian community.

THE FALL AND RISE OF MANSIONS

The Pinang Peranakan Mansion was inherited by Chung Keng Quee’s family when he died in 1901, but fell into disrepair over time. The mansion acquired its distinctiv­e green hue after it was bought in the 1990s by Penang architect Peter Soon. A native Peranakan, Soon restored the mansion, repainting it and converting it into a museum, filled with his personal collection of over 1,000 antiques to showcase the lifestyle of the wealthy Peranakans during the Kapitan’s time. The Blue Mansion was also neglected after Cheong Fatt Tze’s death in 1916, rented out for some time at cheap rates to Chinese families. In 1989, a group of local conservati­onists bought the property, their UNESCO award-winning restoratio­n project bringing it back to life as a heritage hotel and museum.

WHAT LIES INSIDE

The Pinang Peranakan Mansion can be visually overwhelmi­ng in its proud display. Furniture polished to a gleaming finish, sharp gilding shining from every corner, dazzling collection­s of glassware, jewellery, ceramics—each room is packed with treasures. The Blue Mansion’s restoratio­n is more subtle. Its vivid exterior is vibrant, though many of its interior features like the railings and the floor have a faded grandeur, a more delicate allusion to the building’s wealthy history.

Reflecting the residentia­l and official purpose of both buildings, the rooms were designed accordingl­y. The grand dining room of the Peranakan Mansion has a long dining table, elaboratel­y set with bone china crockery and crystal glassware, flanked by tall mirrors on either side to have allowed Chung to observe people entering the house using the inner stairs. Rooms on either side of the dining hall are

done in different styles, reflecting Chung’s varied business contacts. One is European in decor with white porcelain sculptures, floral upholstere­d chairs, and Victorian cabinets. The more traditiona­l Chinese-style meeting room is filled with blue vases and mother-of-pearl inlaid furniture. Each nook demands attention, an antique typewriter catching my eye in one—a magnificen­t array of ceramics and Murano glass in another, and ornate traditiona­l tiffin carriers popping up all over. The family rooms upstairs are luxurious spaces filled with antique mirrors, beds, traditiona­l costumes, an old television, and even a vintage set of golf clubs. A glittering display of jewellery and a traditiona­l Chinese family temple complete the sprawling Peranakan Mansion.

The Blue Mansion elegantly blends British and Chinese styles. Feng shui design features include open-air courtyards with a network of pipes bringing water,

GETTING THERE

Several airlines including Singapore Airlines (singaporea­ir.

com) and Cathay Pacific (cathaypaci­fic.

com) fly from Indian metro cities to Penang.

STAY

The Eastern & Oriental Hotel is a five-star, luxurious colonial property establishe­d in 1884. Doubles from `9,625; eohotels.com

Cheong Fatt Tze -

The Blue Mansion is a boutique luxury property showcasing Penang’s glorious history with rooms furnished with heirlooms and authentic furniture of the 19th century Doubles from `8,638; cheongfatt­tze mansion.com

TOURS

Pinang Peranakan Mansion: Visitors allowed all week from 9.30 am to 5 pm. Compliment­ary tours are available with prior arrangemen­ts for a group of five persons and above. `352; pinangpera­nakan mansion.com.my

Cheong Fatt Tze - The Blue Mansion: Two tours a day at 11 am and 2 pm. Pre-bookings are encouraged as each tour takes a maximum of 12 people, to minimise contact and adhere to social distancing rules.

`440; cheongfatt­tze mansion.com symbolisin­g wealth, into the house, storing it beneath before releasing it outside. Preferred family members supposedly got the central and upper floor rooms, while the less favoured were relegated to the wings! A wander upstairs through an exhibition provides insight into the fashion of the time; Cheong’s love of wine, which resulted in the establishm­ent of the Chang Yu Winery in China, now one of the 10 largest in the world; and his seventh and favourite wife. The tour includes the reception, the main courtyard, and the exhibition, but for those who want to get the full experience, a stay in the hotel rooms filled with antiques and 19th-century furniture provides a taste of the mansion’s glorious past. The interiors are beautiful but the rich indigo exterior—a colour chosen for its exclusivit­y, signifying Cheong’s status—is what attracts most of the shutterbug­s. It is no surprise that these two mansions are often used as filming locations, the Blue Mansion featuring in movies like Indochine and Crazy Rich Asians,

while the Peranakan Mansion being used in The Amazing Race and popular Singaporea­n drama, The Little Nyonya.

There are several similariti­es between the two mansions and their owners. But each has a unique spirit and sensibilit­y, leaving visitors with distinct experience­s of George Town’s fascinatin­g heritage.

 ??  ?? The Cheong Fatt Tze Mansion is popularly called the Blue Mansion.
The Cheong Fatt Tze Mansion is popularly called the Blue Mansion.
 ??  ?? The Blue Mansion sports Scottish ironwork, Cantonese latticewor­k, and English stained glass.
Armenian Street in the old colonial district of George Town.
The Blue Mansion sports Scottish ironwork, Cantonese latticewor­k, and English stained glass. Armenian Street in the old colonial district of George Town.
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 ??  ?? The Yantai Han Suite in The Blue Mansion.
The exhibition on the second floor of The Blue Mansion.
The veranda of the main building at La Cabaña Ecohotel
The Yantai Han Suite in The Blue Mansion. The exhibition on the second floor of The Blue Mansion. The veranda of the main building at La Cabaña Ecohotel
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 ??  ?? Cast iron spiral staircase in the corridor of the Cheong Fatt Tze-The Blue Mansion.
Cast iron spiral staircase in the corridor of the Cheong Fatt Tze-The Blue Mansion.
 ??  ?? The Pinang Peranakan Mansion has been converted into a museum.
The Pinang Peranakan Mansion has been converted into a museum.

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