DA MAN

STOP AND SMELL THE ROSES

PAUL DELA MERCED REPORTS FROM KUALA LUMPUR, MALAYSIA, ON VIRGIL ABLOH’S FIRST ANNIVERSAR­Y COLLECTION

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All in all, it has been a crazy productive first year at Louis Vuitton for Virgil Abloh a.k.a. the “busiest man in fashion.” So, it wasn’t really a shock when he took a three-month hiatus—as per doctor’s orders—in September last year. So, perhaps in a more poetic move, through his Men’s Spring/ Summer 2020 collection, Abloh invites us to do the same: to stop and smell the roses, literally and figurative­ly.

Abloh’s design aesthetic is all about elevating streetwear to luxury echelons. This, and having an active dialogue on diversity and inclusivit­y, are evident in his first anniversar­y collection.

The Men’s Spring/Summer 2020 collection is filled with soft pastels, Barbie pinks, dainty florals and asymmetric­al pleated skirts—design elements usually seen on womenswear. The designer has introduced gender-fluid elements into his latest offering.

Abloh had chosen the idea of wild flowers as a metaphor for diversity. Bibs and bags were embellishe­d with fresh flowers and sundried blooms, jackets and trousers had colorful floral embroideri­es and bursts of botanical prints are seen on a number of looks, all seeming with Louis Vuitton’s unparallel­ed savoir-faire.

A closer look at the bags would reveal a fresh take on leather goods—be it their shape or size or treatments. A pyramid-shaped aquamarine

“Abloh had chosen the idea of wild flowers as a metaphor for diversity”

see-through bag embroidere­d with the LV Monogram is an obvious standout, as well as the eye-catching 3D neon mini trunks. Then there’s the iconic LV Keepall: one has hand painted flowers and the other is tied with randomly placed blue ropes.

Shoes also got the blooming gardeninsp­ired treatment. Abloh has modernized the Wellington boots and combat boots by experiment­ing with different materials and prints, while his signature LV trainer boots are made extra colorful for the seaon. Covetable accessorie­s are aplenty. There are new belts— holographi­c belts, floral belts, reversible colorblock­ed Epi leather belts—and sherbet-colored eyewear and chain trinkets.

An avid fan of modern art, Abloh also referenced the remarkable works of Christo and Jeanne-Claude. He presented rope belts, chunky ties, neat pleats and billowy shapes on the runway—his interpreta­tions of global contempora­ry dressing.

With these modern design iterations and fashion-art experiment­ations, it’s safe to say that Virgil Abloh’s florals for spring/summer 2020 are groundbrea­king.

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 ??  ?? Clockwise from left The spring/summer 2020 collection offers gender fluid elements Opposite
page Wild flowers accents on the accessorie­s as a metaphor for diversity
Clockwise from left The spring/summer 2020 collection offers gender fluid elements Opposite page Wild flowers accents on the accessorie­s as a metaphor for diversity
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