Epicure (Indonesia)

A Soto Ayam of One’s Own

If you think dining solo is a socially inconvenie­nt experience, wait till you try cooking for one. Eve Tedja shares her culinary experiment­s.

-

Firm, aromatic stalks of lemongrass. Checked. Fresh turmeric root. Checked. Cream coloured candlenuts. Checked. The grocery list to prepare my favourite soto ayam from scratch always starts with these ingredient­s. Shortcuts will not do. Only fresh turmeric – not ground – and the best spices can produce a bright clear herbal broth that delights with every sip. My soto ayam should come with a perfectly soft-boiled egg, extra fried shallots, and still crunchy bean sprouts that do not flounder in the soup.

Yes, it’s much work for a bowl of yellow chicken soup that can be eaten at any street food stall in Bali for just Rp30,000 or less. Being raised by a mother who pooh-poohed the idea of instant seasoning or carton coconut milk is definitely one of the reasons why I prefer to fuss over this Indonesian comfort dish in my own kitchen. I know I deserve to eat well, even if I’m just cooking for one person.

I have embarked on solo cooking adventures for the last six years since my dear late mother passed away. Sadly, I never got down to master her vast repertoire of Indonesian (in particular, Balinese) and Chinese recipes. Undaunted, I asked my aunts for theirs. I searched for recipes online and bought a succession of cookbooks in a quest to replicate the flavours my mum used to impart in her dishes, whether it’s adding the right amount of nutmeg in potato fritters or shrimps in a stir-fry for that extra oomph. Living alone in Bali, in a food culture that emphasises on sharing, and shopping at food markets that tend to portion the ingredient­s for a family of at least four, I have to learn how to mentally divide the measuremen­ts.

Grocery shopping tends to be an awkward social experiment, especially at the local markets. “Why only one piece of ginger and four pieces of chillies? It won’t be enough,” said an ibu vegetable seller to me once, as she puts my paltry purchase in a small plastic bag. I explained to her that I only cook for myself to which she responded pityingly, “No husband?” in an disarmingl­y nosy manner. Of course, I can always go to the supermarke­t, where I would not be asked the same question. But it would mean that the ingredient­s would be pre-packaged in plastic and I would end up with too much of everything that stay in the fridge until they shrivel past their expiry dates. (I hate food waste.) Besides, everybody knows that the freshest ingredient­s are in the local markets.

Living and cooking solo is common in many Western countries and urbanised Asian cities. But, where I live, it is a social oddity. A German friend who came to Bali told me once that after exploring the island for a week and answering questions from naturally curious and friendly locals, she began to grasp the wisdom of a white lie. At the end of her trip, she had created a fictitious fiancé who just launched a cafe and couldn’t possibly leave his staff and his dachshund behind. The importance of collectivi­sm is a hard concept to understand, especially if one comes from an individual­istic culture. I have experience­d both cultures in my life and even until know I am still baffled by the difference­s. Here, the idea that a person can be alone and not lonely is as alien as a single woman who has learned to find happiness in cooking and eating well for herself.

I wholeheart­edly agree that food tastes so much better when it is shared, but it doesn’t mean that I can’t also eat well for dinner. Having grown up on a diet of tongue numbing sambal, my fortified palate craves for more chilli. The joy of cooking for myself is that I can add as many chillies as I want to a dish without upsetting anyone’s delicate stomach. Now, I have developed a weekly ritual. I give a new recipe a try and take the time to shop. As I put down my grocery bag, I connect my phone to the speaker and let Billie Holiday lull me as I wash, slice, cut, chop, blanch the ingredient­s and boil my soto ayam. Then, I carefully stack the glass noodles, bean sprouts and cabbage in a deep bowl, ladling in the aromatic yellow golden soup. I top it off with celery leaves, extra fried shallots, chopped chillies, and sliced eggs. It might not be a perfect soto ayam, but it is completely mine to savour.

If Salvador Dali and Elsa Schiaparel­li lived in modern times, they wouldn't have minded residing in Hôtel de Berri. The Luxury Collection’s latest addition in the 8th arrondisse­ment (a stone’s throw away from Champs-élysées) is an elegant Parisian mansion inspired by these great artists. The former 1970s office building is cloaked in vibrant colours and prints that are juxtaposed against a scattering of Art Deco antiques and artworks. Within are a spa, fitness centre and 76 rooms, of which 35 are suites. Each suite category features an entrancing colour scheme, a fireplace and an unparallel­ed view of the meticulous­ly manicured 32,000 sq ft garden. There’s also Le Schiap where Tuscan native Michele Dalla Valle (formerly Plaza Athénée) presents

Italian classics to go along with the neoclassic­al tipples available at the bar, Le Bizazz. Room rates from €500 (S$763). 18-22 Rue de Berri, 75008 Paris, France. Tel: +33 1 76 53 77 70 Laboratori­o Paravicini unveils its head-turning Birds of Paradise collection (from US$360/S$493 for a set of six). The White showcases the vibrancy of the tropical birds against a white ceramic background, while the Gold Paradise adds playful touches of colour to any table space. Most alluring is Dinner Plate #6 (US$80) where a black bird spreads its vividly yellow plumage in contrast to its blood red wings. The colours purportedl­y stay as bright as the day it came out of the oven even after multiple use as Paravicini utilises the time-honoured technique of Gran Fuoco sulla Terraglia Bianca (high temperatur­e glost-firing on white earthenwar­e). artemest.com If viewings of Madonna dei Pellegrini and Call of St. Matthew isn’t enough to satisfy the art history buff in you, opt for luxury operator Roma Experience's Restoring Caravaggio (€245/person). The VIP tour kicks off with a guided walking tour through the churches displaying the famed artist’s baroque-style oeuvres and concludes with an intimate look into the acclaimed restoratio­n lab, Merlini-storti. There, guest can try their hand at recreating faded colours and watch expert restorers bring storied masterpiec­es by the likes of Caravaggio, Raphael and Tintoretto back to life. romaexperi­ence.com/restoring-caravaggio-vip-rome-tour

 ??  ??
 ??  ??
 ??  ??
 ??  ??
 ??  ??
 ??  ??
 ??  ??

Newspapers in English

Newspapers from Indonesia