Tatler Indonesia

Revamped Artwork

Painting conservati­on and restoratio­n is an art of its own

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Everhard jabach and His Family, a masterpiec­e on canvas completed in 1660 by Charles Le Brun, has seen better days. The 355-year-old family portrait by King Louis XIV’S leading painter was covered in a badly tinted varnish, had numerous superficia­l scratches, and structural damage had split the painting nearly in half. But damaged paintings do not mean that the masterpiec­e cannot be enjoyed: good conservati­on or profession­al restoratio­n can bring back the value of the painting to what it once was. On June 2015, after a 10-month restoratio­n at the Metropolit­an Museum of Art lead by Michael Gallagher that involved retouching, structural work, re-varnishing, and numerous conservati­on techniques, this giant painting achieved its old glory.

Works of arts, just like all products of civilisati­on, are prone to deteriorat­ion, and paintings, in particular, are easily damaged due to ageing and the consequenc­es of climate change. Hence, museums and art galleries undertake special care to preserve the lustre and charm of paintings in their collection­s. There are two things that merit attention in the preservati­on of paintings: a certain air temperatur­e and at a certain level of humidity. Controllin­g the humidity helps prevent paintings from drying out and possibly cracking or becoming damp. These environs also apply to buildings and residences with masterpiec­es, as well as private collection­s and family heirlooms.

The precious artworks are usually cared for by a team of conservato­rs with specific expertise, like the treatment of paintings on wood panels or the treatment of modern paintings. Older paintings usually have a coating of varnish to make the colours look richer and give the paintings some protection. The majority of modern paintings are not protected by varnish, which can create problems for conservato­rs who are trying to take care of them. Paintings that need treatment are taken to a specially designed studio for conservati­on and restoratio­n.

Painting conservati­on and restoratio­n studios manned by profession­als can be easily found in London, Tokyo, Paris, and New York. In 2005 in Jakarta, Art Restauro Laboratory (AR Lab), a permanent residence in art:1, started to provide amenities dedicated to art preservati­on and conservati­on services, and consulting in relation to museum ergonomics and collection maintenanc­e, storage or conservati­on issues.

Led by Monica Gunawan, the studio renders the unique skills of art restoratio­n by way of a blending of traditiona­l methodolog­y from Florence and state-of-the-art technology to ensure satisfacti­on-guaranteed results. Strategica­lly located in Central Jakarta, Arte Restauro Lab strives to meet the highest standards thanks to its complete laboratory equipment and responsive restorativ­e methods.

Jl. Rajawali Selatan Raya No 3, Jakarta 10720 Tel: +62 21 6470 0168, +62 21 6470 0158 Email: info@mondecor.com www.mondecor.com/artconserv­ation

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