Belfast Telegraph

18, 106 mins

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A mother’s courage is warped by grief and righteous indignatio­n in writer-director Fatih Akin’s award-winning drama.

In The Fade is a slow-burning German-language thriller of shifting moral certaintie­s, distinguis­hed by a tour-de-force central performanc­e from Diane Kruger.

Her fearless portrayal of an avenging angel scorches every frame of Akin’s picture as she careens at high speed towards a precipice of self-destructio­n.

Kruger (above) rips out her anguished mother’s heart, ricochetin­g between guilt, rage and incomprehe­nsion, numbing the pain with drugs scored from her lawyer before emerging from a suicidal fug to pursue her violent vendetta.

Courtroom scenes shimmer with suspense. There are tense exchanges between legal counsels, but once the verdict is delivered, tension dissipates and Akin relies increasing­ly on Kruger to energise a final act that tests both our patience and sympathy.

Kurdish drug dealer Nuri Sekerci (Numan Akar) marries sweetheart Katja (Kruger) while he is behind bars.

Upon his release, the jailbird agrees to atone for his sins so they can raise a family.

Nuri studies business so he can open an office in Hamburg while Katja dotes on their cherubic five-yearold son, Rocco (Rafael Santana). Late one evening, Katja returns to her husband’s office to collect their boy and she is greeted by police cordons and flashing blue lights.

A nail bomb has been detonated in the street and police sombrely confirm that Nuri and Rocco were killed in the blast. Authoritie­s initially focus on Nuri’s past, speculatin­g he might have been traffickin­g drugs again and targeted by embittered rivals.

Katja collapses under the weight of her grief, seeking consolatio­n in the arms of good friend Birgit (Samia Chancrin), while her incandesce­nt in-laws add fuel to the fire.

Kruger doesn’t disappoint, holding firm to her character’s volatile conviction­s.

A muddled resolution, which shifts the action to Greece and proposes to quench Katja’s thirst for revenge, begs more nagging, uncomforta­ble questions than it answers.

DS

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