Belfast Telegraph

ALBUM REVIEWS

- Tom White

Arctic Monkeys Live at The Royal Albert Hall

Alex Turner’s languid cool and swagger may have never been more succinctly expressed than these 10 words — “Thank you very much fer ‘avin us, Royal Albert ‘all” — uttered before launching into I Bet You Look Good On The Dancefloor at this charity gig for War Child, staged in 2018 and now released as a live album.

A 20-song set skews towards the Sheffield quartet’s later albums AM and Tranquilit­y Base Hotel And Casino, though early favourites also on show include Brianstorm, 505 and The View From the Afternoon.

Turner and drummer Matt Helders are on prime vocal form, making the most of the venue’s incredible acoustics, while the ferocious guitar work has the enormous crowd buzzing — though a relatively small stage area helps give the gig an improbably intimate feel.

You know what you’re getting and with formats available from a £6.99 download to a £40 box set, here’s hoping for a major windfall for a great cause.

9/10 Review by Tom White

The Avalanches We Will Always Love You

Anyone expecting the latest Avalanches record to feature the kind of scatty samplemani­a seen on 2000’s classic Since I Left You or their heavily-delayed 2016 follow-up Wildflower will be in for a bit of a surprise.

Yes, We Will Always Love You has a lot of samples — it wouldn’t really be The Avalanches if it didn’t. But it’s far more centred around a revolving door of studio collaborat­ors, albeit the sort of eclectic blend you might anticipate.

Among the many names dropping in for cameos large and small are Johnny Marr, Jamie XX, Kurt Vile, Blood Orange and Karen O. Some make you see the stars in a different light.

Sananda Maitreya — known to most of us as Terence Trent D’arby — offers an unexpected highlight on the stunning psych-soul groove Reflecting Light. Meanwhile the Clash’s Mick Jones and California nu-disco artist Cola Boyy provide a surprising but delightful duet on We Go On, a baffling party romp that’s got The Avalanches written all over it.

While We Will Always Love You has a lot of the fun fans are used to, there are certainly fewer funnies. Instead, 20 years on from the madness of Frontier Psychiatri­st, the Aussie-via-la producers are now ruminating on some of the bigger questions

— asking, in the words of Robbie Chater, “Who are we really? What happens when we die?”

It just goes to show that no matter how hard we try, growing up gets all of us eventually. 8/10 Stephen Jones

Chris Kamara ...And A Happy New Year

Well pick me up and dip me in glitter, football pundit Chris Kamara is back with ...And A Happy New Year.

It follows last year’s surprise top 10 album Here’s To Christmas, which was filled to the brim with Kammy cheer and Rat Pack vibes, and if you enjoyed that you will not be disappoint­ed.

In a year where (let’s be honest) we need to grab onto the fun things a little more tightly, Kammy feeds into my personal longing for a jazzy coffee shop soundtrack.

Roy Wood introduces a swinging cover of Wizzard’s I Wish It Could Be Christmas Everyday.

Other tracks given the big band treatment include White Christmas, In The Bleak Midwinter and Blue Christmas, each more catchy than the last.

But it’s not just covers on this festive collection, Mr Claus and Happy New Year are original songs that already feel like seasonal staples.

Whether it becomes a commuting favourite or you cozy up with a big mug of something warm and comforting (or something equally seasonally appropriat­e), drink up the cosy vibes. 9/10 Rachel Howdle

Reuben Racecar Is Veryfast

Racecar Is Racecar Backwards and Very Fast, Very Dangerous, both long out of print on vinyl, are reissued 15 years on as a two-lp package.

It’s honestly worth doing just for the combined title — which is fortunate because if you were looking for the package to bring anything else new to the party, well, the party will break your heart. Frontman Jamie Lenman’s new artwork and an accompanyi­ng essay from journalist James Hickie are the extent of it, leaving the original 29 tracks to speak for themselves.

It is a welcome cue to revisit the material though — I’d forgotten how good Let’s Stop Hanging Out is, alongside fellow Racecar standouts Freddy Krueger and Missing Fingers, while Very Fast offers up Blamethrow­er and the epic Return Of The Jedi along with the uncharacte­ristically delicate Nobody Loves You. A nostalgia trip for the hardcore.

7/10

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