Enniscorthy Guardian

Mafia III an unexpected disappoint­ment from 2K

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Mafia III has some memorable moments, some even bordering on brilliant, but it never really ascends to the incredible heights of its predecesso­rs. With too many repetitive filler missions, sandbox-style gameplay reminiscen­t of titles from the last decade and technical blemishes from start to finish, Mafia III is a rather unexpected disappoint­ment from 2K Games.

You are cast as Lincoln Clay, a man who encapsulat­es pretty much every mobster cliché there is. You are an orphan, a war hero and the victim of a vicious betrayal at the hands of the city’s crime boss, Sal Marcano. Clay starts at the bottom — or, rather, restarts there after everything is taken from him — and must not only destroy his enemies but slowly build up a crime empire of his own, recruiting allies to run each district of the city that he takes over.

What sets the events of Mafia 3 apart is the element of race: Lincoln is black, and in a southern U.S. city in the late ‘60s, that means everything. Throughout the course of Mafia 3 you won’t just be mistreated by mobsters, you will be universall­y despised by most of the people you come up against, and even society as a whole.

While this adds another layer of fury to Lincoln’s crusade, I was rather disappoint­ed to see the racial narrative drop off around the game’s half-way point.

Mafia III does nothing to distinguis­h its generic moment-to-moment gameplay from that of other sandbox shooters, and its core mechanics can’t even nail the basics--at least not completely. Swapping cover feels awkward, enemy AI is highly unintellig­ent, weapon variety is simply nonexisten­t and combat is just a general bore.

Another one of Mafia III’s major pitfalls is the incredibly repetitive mission structure. Most open world games are a glorified checklist, but at least they hide it well. Mafia III just feels like all filler, and the narrative slows to a crawl after the promising opening act.

Playing as a black war veteran in a segregated city is a compelling concept, but Clay is a deeply uninterest­ing character, whose place in the world is far more interestin­g than anything he does or says.

Mafia III is a wholly unoriginal and joyless revenge story. It’s a true shame that it couldn’t deliver on the promise of the first two Mafia instalment­s. Definitely avoid this one.

 ??  ?? Mafia III is a wholly unoriginal and joyless revenge story.
Mafia III is a wholly unoriginal and joyless revenge story.
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