Ireland of the Welcomes

J.P. Donleavy: Irish-American, American in Ireland, or Irish?

Revisits the story of the Easter Rising and the threats posed to Trinity College during that fateful week.

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proceeded and I think I was a gentleman in a crude sort of way with a few outbreaks... Maybe I might have talked a little to much but this is my nature and I think I am gifted with a good line of speech or gab. I also like to kid around in class, and so made a couple of minor mistakes but don’t we all?”

Donleavy ran track at Fordham and began writing poetry and short sketches. He was expelled at the end of his third year after founding a secret society of which he made himself Supreme Brother Master, holding the first and last meeting at a saloon, which was reported to the prefect of discipline. Paddy Donleavy finished high school at Manhattan Prep, run by De La Salle Christian Brothers, graduating in June 1944.

With World War II raging, he then enlisted in the U.S. Navy. After basic training, Donleavy sat exams, winning appointmen­t to the Naval Academy Preparator­y School in Maryland, from which top students go onto the U.S. Naval Academy at Annapolis. In the NAPS library Donleavy chanced upon books on Ireland in which he got his first glimpse of Dublin - with images of O’Connell Street, the Liffey, the countrysid­e and the Irish Sea. He was intrigued.

With the war’s end, Donleavy and millions of discharged American veterans availed of the GI Bill of Rights, which offered funding for university. Failing to gain admission to any Ivy League school, he asked his mother if there were universiti­es in Ireland. Her threeword response – “Trinity College Dublin” – changed Donleavy’s life. He was admitted for the Michaelmas Term in 1946. Newfound friends quickly nicknamed him “Mike”

(his Confirmati­on name being Michael) to distinguis­h him from all the Jims and Pats.

An amorphous, nameless group coalesced, many of them veterans catching up on lost years and local veterans of a different sort, like Brendan Behan, out of the IRA. They created a bohemia centered in the pubs off Grafton Street, after-hours nightspots like the Catacombs on Fitzwillia­m Square and in literary salons. There were aspiring writers and painters in the group, including Donleavy who was painting and writing but not studying much.

He sensed this exciting time couldn’t last and the collection of colourful characters would scatter. So he began taking notes on conversati­ons, incidents, observatio­ns. He was doing field research for The Ginger Man, a fictional re-creation of bohemian Dublin, centered on Sebastian Dangerfiel­d, a feckless charmer who sails dreamboats on rough seas of reality without sinking. Dangerfiel­d has a talent for extracting credit in pubs and seducing women. His foil, Kenneth O’Keefe,

is a brilliant speaker of blunt truths and neurotic who can’t score with women. Both characters were based on fellow Americans at TCD.

Donleavy began The Ginger Man in mid1951 after a London gallery rejected his paintings. Donleavy recalled in his memoir: “I announced to the street that, goddamnit, seeing as I was contemplat­ing it anyway, I would write a book that no one could stop and would make my name known in every nook and cranny.”

He began his debut novel at his Kilcoole Cottage, continued it on the Isle of Man,

Irish/American novelist and playwright James Patrick Donleavy (1926 - 2017), UK, 26 September 1975.

and then America, before settling in London. Published in June 1955, the book has never been out of print in English and has been translated into two dozen languages. The book has made Donleavy famous around the world, even in Ireland where it was banned until 1981. Publishers who had rejected him were begging him for his later works.

In 1969, even while Ireland still banned The Ginger Man, the nation welcomed him back, as he became an Irish citizen and an early beneficiar­y of the Artists’ Tax Exemption scheme. In 1973, he bought and moved to Levington Park, built in the 1740s, on a hilltop overlookin­g Lough Owel outside Mullingar. He would live the rest of his life there, writing, painting and farming. He had a herd of beef cattle grazing 180 acres.

To date, 28 books by Donleavy have been published, including 14 novels. Ireland was the inspiratio­n and setting for six of those novels, and figures prominentl­y in two memoirs, and in A Singular Country – and impression­istic analysis of Ireland in the early years of the Celtic Tiger. Ireland also appears throughout his collected correspond­ence.

Despite that and his being an Irish citizen, Irish critics and reporters seemed to go out of their way to identify Donleavy as an American author – seldom as an Irish author. Donleavy himself puzzled over his identity. “No identifica­tion any longer fits,” he explained in a 1986 Publishers Weekly interview with Amanda Smith.

“I’m Irish in terms of blood – both parents born in the country – and I’ve become an Irish national citizen. But never can anyone ever remove that American business – it’s so indelible.”

Dubliner John Boland, book critic and poet, has difficulty placing Donleavy in the literary landscape. “I don’t really regard him as an Irish writer... I don’t really regard him as an American writer either. He’s a curious hybrid. He’s actually kind of a one off.”

J.P. Donleavy died 11 September 2017, age 91. The Ginger Man is still going around the world, as Brendan Behan said it would, and was published last year in Mandarin. His correspond­ence with friends who inspired the main characters in The Ginger Man was published by Lilliput in 2018, as The Ginger Man Letters. And this past fall Lilliput published A Letter Marked Personal, the last novel Donleavy completed.

Bill Dunn, Donleavy friend and archivist, edited The Ginger Man Letters and A Letter Marked Personal

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JP Donleavy
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