The Snapper could be snappier to match modern Ireland’s zeitgeist

THE Gate Theatre’s artistic director Selina Cartmell’s latest project is a live rendering of Roddy Doyle’s The Snapper.

Originally from Brazil, and an actress myself, I ventured to see it, wondering if the tale would cross over.

I was thrilled to realize that Irish comedy undoubtedly entertains international audiences. The dry humour, which shows mercy to no one, is absolutely irresistible if at times a bit uncomfortable.

The production successfully employs several theatrical devices, from the colourful, mobile set, to a real new-born baby being presented to Sharon in the closing scene, to the mimed family dog, a wonderfully comic choice, and Doyle’s idea. Under the clear and detailed direction of Róisín McBrinn, the performances are playful and creative. Simon Delaney’s Jimmy Rabbitte is a definite standout. Wonderfully endearing, he reminds us all of our own fathers at some point or another. At times impatient and angry, at others a sort of sensitive push-over; always ferociously trying to protect his family.

Honourable mention also goes to Hazel Clifford who plays Sharon as charismatic and charming. A recent graduate of the Lir, The Snapper is her professional debut.

There is a dark side to the play, however. It is disconcerting in this day and age to see what is a case of sexual abuse as a seemingly natural part of life, as it is presented in the play, and as it was probably received in 1980s Dublin. Controversial matters are not offlimits and I’m glad they’re not ignored but in The Snapper they’re sort of glossed over, floating somewhere in the background of Doyle’s colourful banter.

The Snapper is definitely worth all the buzz, but I did wish to see a bit more of a nod to the current zeitgeist, an Ireland that is more worldly and progressive.

Anita Petry is a Brazilian actress, director, and writer, based in Dublin.