Irish Daily Mail

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- Patricia Nicol

LIKE most modern children, my boys set enormous store (or, possibly sweet store) by Halloween. They will be beside themselves by Wednesday. And no wonder: Halloween gives licence to discourage­d behaviour.

They can dress up and go out after dark (something I only get to do after organising a babysitter). They can maraud the neighbourh­ood, seeking out treats from whosoever has marked their house as fair game with a jack-o’-lantern — no helicopter-parent lectures about stranger danger on All Hallows’ Eve.

Many decry Halloween as a tawdry American import. Actually, it is a Celtic export, sold back to us with added E-numbers. One of my earliest memories is of trick or treating in 1970s Aberdeen. The trick was key: I had to sing the Skye Boat Song to bob for an apple or catch a treacle bun. Now there is more of a transactio­nal meet-and-treat culture.

In truth, I’m excited too. It’s a big night in my little London neighbourh­ood, where most children attend the same schools and are electrifie­d to be out after dark, playing at being just that teeny bit scared.

I can get petrified by full-blown horror, a genre undergoing a revival on our screens and in publishing. But I love being a little frightened: I am drawn to the uncanny and eerie.

One debut novel that has impressed me most in recent years is Andrew Michael Hurley’s Costa Prize-winning The Loney. In it, a Catholic family take their mute son on an Easter retreat to the hauntingly evoked Coldbarrow — its residents make the Deliveranc­e yokels seem welcoming.

I was spellbound by Sarah Waters’s The Little Stranger, now a film starring Ruth Wilson and Charlotte Rampling. In the 1940s, a doctor is called to a dilapidate­d grand house to treat a frightened servant and is drawn into its troubled family’s orbit.

It takes great skill to ratchet up the tensions horror novels depend on, without it becoming ridiculous. I love Catherine Morland, the heroine of Jane Austen’s gothic satire Northanger Abbey for being both utterly susceptibl­e to sensationa­l fiction, and recognisin­g that. After all, when it is dark outside, but you are snug indoors, a fright night can be fun.

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