An age-old witch-hunt in a very modern world has a message we all need to hear

THE story of the Salem witch trials of the 17th century continues to resonate in the United States.

Arthur Miller used it as an allegory for McCarthyism in his famous 1953 play The Crucible, and now writer-director Sam Levinson has cleverly, if not very subtly, given the tale a 21st-century spin, using social media as the springboard for collective paranoia and fear.

Assassination Nation, despite its 18 certificate, is firmly aimed at younger audiences, who might enjoy its music video-style snap and punch. It is based in the actual town of Salem, Massachusetts, where first the mayor, and then the high school principal, have their iPhones and internet browsing histories hacked. Public opprobrium follows, with tragic consequences. ‘Lock him up!’ chants a baying mob over and over, in an echo of Donald Trump’s presidential campaign. The

story unfolds from the perspective of four high school girls, one of whom, Lily (Odessa Young), also finds herself hacked and her affair with a married neighbour exposed.

The hatred and hysteria escalate, culminat ing in alarming violence. By this stage, the film’s satirical message has been rather undermined by its own lack of restraint. Still, as a warning about the dangers of living your life through your iPhone, and of interand net porn all the other associated technological temptations of our time, it deserves to be seen.