Irish Daily Mail

PSYCHO THRILLERS CHRISTENA APPLEYARD

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THE PUSH by Ashley Audrain (Michael Joseph €15.99)

THIS has all the hallmarks of a bestseller, with its riveting plot centring on Blythe’s struggles to love her daughter.

The author explores the fascinatin­g theory that links Blythe’s mothering difficulti­es to those of her own mother and grandmothe­r.

At the heart is the mystery of whether she or her tormented daughter Violet is responsibl­e for the tragedy that blights her own once-happy marriage.

The graphic flashbacks to the lives of Blythe’s mother and grandmothe­r explore the nature versus nurture cycle of blame and raise questions about whether it can ever be successful­ly interrupte­d.

Audrain has produced an intelligen­t, painstakin­g and thought-provoking account of parenting that will move anyone who is a mother or comes from an unhappy home.

THE CAPTIVE by Deborah O’Connor (Zaffre €15.99)

IN THE near future, Hannah sits at home waiting for her husband’s murderer, Jem, to arrive. He will be imprisoned in a specially built cage in her kitchen where he will, thanks to a new restorativ­e justice system, serve out his sentence.

The theory is that the murderer will become truly repentant. But Jem has other ideas and sets out to convince Hannah he is innocent. In the process, Hannah’s faith in the real character of her late husband, a policeman, is shaken.

It is a credit to her fresh, informed style that O’Connor maintains the credibilit­y of such a far-fetched plot, but once you’re used to the prepostero­us premise, the story zips along and Hannah’s dilemma shines a light on justice and forgivenes­s in a highly original fashion.

OUR LITTLE CRUELTIES by Liz Nugent (Penguin €14.99)

DON’T expect to like any character in this psycho mash-up of Shameless and a middle-class EastEnders. But the narcissist mother and her objectiona­ble three sons will draw you into their tangled tale of jealousy and sibling rivalry.

We learn from the funeral on the first page that one of the brothers is lying in the coffin while the other two are exhibiting a suspicious kind of mourning.

The story takes us on the wild ride to discover why. The family’s glamorous lives are fuelled by bitter competitio­n, betrayal and the shifting loyalties of Will, the arrogant film producer, Brian, the cunning manager and Luke, the drug-addicted superstar.

In the background at first, but maybe more significan­tly, lurks a mother who plays favourites and a daughter with a secret.

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