Irish Independent

Old habits die hard for vintage

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I world atmosphere, but a little on the stuffy side.

Back then, an antiques fair would never have included anything as crude as knob or a knocker, unless it happened to be Georgian, and no lacy bloomers or flapper handbags. Vintage, the disreputab­le younger cousin of the antiques world, was hanging out in a dingy arcade at the other end of town. Now, she’s been invited to join the party. There were a few raised eyebrows at first, but everyone seems to agree that she’s brought a breath of fresh air into quite a few antiques fairs around the country.

The difference between vintage and antiques is largely a matter of age. Antiques are often defined as more than a hundred years old while anything from the 20th century can be described as vintage, which tends to include a wider range of objects. This weekend’s National Antiques, Art and Vintage Fair in the South Court Hotel, Limerick, will see dealers in train sets and gramophone­s, 20th-century tools, prints, accessorie­s and vintage jewellery, alongside the more traditiona­l antiques.

During the years of the recession, economic necessity impelled the sometimes snobby antiques world to open its doors to vintage objects.

“Back in 2006 it wouldn’t have been PC to show vintage objects alongside antiques,” says Robin O’Donnell, organiser of the fair. “There was a bit of opposition at the start. It was difficult for some of my dealers to get their heads around it.”

The current fair, which he describes as Ireland’s largest with 100 dealers in total, includes some very respectabl­e members of the Irish Antique Dealers Associatio­n as well as an eclectic assortment of vintage stands.

“It’s about the illusion of grandeur from bygone days,” says Sandra Hogan, a dealer whose wares include vintage dressing table sets and hair tidies.

A silver-backed clothes brush could cost €48 or you might pay €55 for a pretty Edwardian hair tidy in guilloché enamel. This finish is especially popular – imagine the back of a hand mirror, in pastel pink or blue, decorated with pinprick spirals under a glazed surface. It’s a delicate surface, easily chipped and impossible to repair, and often found on the lids of Edwardian hair tidies.

“They look like a little round pot about four inches high with a hole in the top – ladies used to use them for hair pins but now they use them for cotton buds.”

A whole dressing table set with two hairbrushe­s, a hand mirror and a clothes brush could cost as much as €275.

“These are not cheap items,” Hogan explains. “If you have one at home and you’re wondering if it’s worth something, just bring it in with you. Everything has potential if it’s free of damage.”

Eily Henry from Waterford specialise­s in vintage clothes and accessorie­s: handbags, glad rags, hats, scarves and jewellery. “The smell of powder from the inside of a handbag can take you back generation­s,” she says. “They were so well looked after that you often find them with the original mirror still in place. It’s a history lesson as well as a handbag.”

With a background in fashion design, Henry tends to group the objects into little vignettes. “People often buy vintage to accessoris­e a contempora­ry high-street outfit and make it a little more individual. I tend to display the objects in groupings to show people how they might put a look together. You have to use vintage sparingly though – you don’t want to go out looking like an extra in a period drama.”

Victorian evening bags in pleated silk start at €35 and a leather handbag from between 1930 and 1950 might cost around €40 in good condition (the inside is as important as the outside). The star of her collection for this weekend’s fair is an Art Deco necklace in silver, onyx and glass. The National Antiques Art & Vintage Fair runs at the South Court Hotel, Limerick City, on Saturday 20 and Sunday 21 June from 11am–6pm on both days. Admission is a fiver (this gets you in on both days) and kids are free. F YOU went to an antiques fair ten years ago you’d see fine old mahogany furniture, precious silver and glass, gilt framed oil paintings, and a few leather-bound volumes. The dealers would be largely male, with a scattering of women ballsy enough to make it in the trade, and everything on display was a “genuine antique”. The punters tended to wear tweed jackets and talk at length about how much they knew. It was a charmingly old-

 ?? Vignettes ?? Vintage collector Eily Henry groups objects into little
Vignettes Vintage collector Eily Henry groups objects into little

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