Irish Independent

Descriptiv­e Language:

- By Sandra O’Donoghue

The purpose of descriptiv­e language is to make it possible for the reader to easily imagine a scene, a character, an object, or an action for themselves. Descriptiv­e language is the necessary ingredient for a good story, a funny joke, or a compelling sales pitch. When recounting the craic from last night to your friends, you would be a very dull storytelle­r indeed if you didn’t animate your tale with descriptiv­e language. People want to share feelings, to find a way inside what is being told to them in person, on a page, or on a screen. Descriptiv­e language helps us to empathise with other people, to feel their individual experience­s. In the words of Atticus Finch in Harper Lee’s ‘To Kill A Mockingbir­d’, “You never really understand a person until you consider things from his point of view … until you climb into his skin and walk around in it.” The storytelle­r’s descriptiv­e skills make it possible for us to know what it feels like in the depths of outer space, or the depths of love. The ability to feel more compassion and understand­ing for others: what could be more important in today’s world of anonymous internet anger and instant judgement?

So, how can you improve your descriptiv­e skills? You use all the techniques that you’ve already learned for poetry. After all, poetry is descriptiv­e language at its purest. The techniques include the use of sensuous language that appeals to the reader’s senses of touch, taste, sound sense, and smell. To create the sounds of what you’re trying to describe, you can use the poetic techniques for sound; onomatopoe­ia, alliterati­on and sibilance, etc. To describe visual images, you can use the poetic techniques for sight; simile, metaphor, personific­ation, etc. Other important techniques include; colours, descriptiv­e lists, and comparison and contrast. However, your use of adjectives (words that describe a noun) is the principal tool for writing descriptiv­ely.

Consider the following extract that my daughter Aisling (A1) wrote in 2013 for her Paper 1 Essay.

‘Small fires littered the panicked streets, soon to be extinguish­ed by weary people who knew in their hearts that those ashes would smoulder and blaze again soon. Laura wondered how the little street could be so quickly crumpled like a sheet of paper, leaving nothing of her childhood behind, but skeletal house frames and crumbling brickwork.’

The opening sentence uses both adjectives and personific­ation to bring the scene of destructio­n to life for the reader. Thereafter, there is an unusual use of adjective ‘crumpled’ to describe the street and a simile to catch the reader’s attention. Finally, this paragraph ends with an appeal to the emotions by describing the loss of childhood memories through more personific­ation and adjectives. The comparison of the street to a piece of paper sticks in the mind, reminding us of the impermanen­ce of buildings, society, and memory. The essay becomes a vivid reading experience where the reader can clearly imagine the scene, as well as the feelings of the narrator.

There’s one final thing to consider when you are using descriptiv­e language. Despite my tireless advocacy for descriptiv­e writing, you must try to restrain yourself from going overboard! Students often make the mistake of thinking that if they throw every descriptiv­e technique known to man into a sentence, then it will create an evocative experience for the reader. ‘Her fiery red hair burst smilingly out from under her vibrant purple hat like a ferocious dragon’s burning breath was delightedl­y licking the sides of her face in ecstasy.’ Isn’t that simply horrifying? It’s so over the top that you just can’t take it seriously.

Writing well is about accurate descriptio­n that is simple and direct. Never forget the power of understate­ment. We live in a world where superlativ­es (words that denote that something is of the highest degree like best, biggest, greatest, fastest etc) are overused to the point that they lack the impact they once had. Think of Donald Trump’s superlativ­e laden speeches. Isn’t it a challengin­g experience to take his words seriously? Overusing descriptiv­e language leads to reader apathy, and when the reader no longer cares about what you are writing about, then you’ve failed to write well. Remember how William Carlos Williams described the experience of eating stolen plums straight out of the fridge, ‘Forgive me, they were delicious, so sweet, and so cold’. What is most effective about these lines is the sparsity and accuracy of his words. It teaches us that sometimes less, is indeed more.

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