New Ross Standard

Rare Eugene O’Neill play to be showcased at inaugural festival

ACCLAIMED DIRECTOR TO PRODUCE PLAY SCORED BY ELEANOR MCEVOY

- By DAVID LOOBY

A SELDOM-PRODUCED major work by Eugene O’Neill will be the centrepiec­e of the first Eugene O’Neill Internatio­nal Festival of Theatre, taking place in New Ross next month.

‘Mourning Becomes Electra’, one of O’Neill’s most celebrated works, will receive a staged reading, led by acclaimed director Ben Barnes. The play has not been performed in Ireland for many decades.

Speaking at the announceme­nt of the play, Tomás Kavanagh, Festival Director of the Eugene O’Neill Ancestral Trust, said: ‘We are delighted to feature this very special production of one of O’Neill’s greatest plays as part of our festival. Through this staged reading, theatre-goers will really get a once-in-a-lifetime experience.’

Curtains will rise in St Michael’s Theatre at 3.30 p.m. on Saturday, October 13, for this unique production. The play is complex and tragic. Set in New England at the close of the Civil War, it was first published and staged in 1931. The play is based off Aeschylus’s Greek tragedy The Oresteia and its three sections.

In New Ross it will be staged in two parts, with dinner hosted during intermissi­on at the Dunbrody Visitor Centre, and the second performanc­e of the play commencing at 8 p.m.

Tickets for the event, including an evening meal, are priced at €40.

Mr Kavanagh said: ‘ The first-rate actors and musicians that will deliver the play will ensure that Mourning Becomes Electra in New Ross goes down as one of the theatre events of the year.

The production will bring together an exciting and vibrant cast, with talent from home and away culminatin­g to create a distinctiv­ely immersive experience.’

The cast includes Mark O’Regan, who has worked extensivel­y at The Abbey, Gaiety and Gate theatres, and most recently featured in The Gate’s Assassin. He previously featured in Father Ted, The Commitment­s and Angela’s Ashes. Andrea Irvine is currently appearing in Red Rock and has previously worked on Love/ Hate, The Fall, Ella Enchanted, in addition to her considerab­le stage work.

Waterford’s Andrew Holden will also head up the cast, with credits in The Lonesome West at The Everyman and The Collector.

The production will also star Anthony Brophy, with credits including The Tudors, In The Name of the Father, Penny Dreadful, Prime Suspect and CSI, and Judith Roddy, who leads a distinguis­hed career across theatre and TV, with roles in The Plough, The Star, The Fall and Love is the Drug.

Hailing from the US, Maria Guiver, who recently tread the stage in Blackbird, and Donald Sage Mackay, with extensive film and TV experience including Transforme­rs II, Modern Family, The Good Wife, Mad Men, NCIS, Law & Order, The West Wing, have joined the cast for this special festival production.

A specially commission­ed musical score has been composed by Irish singer and songwriter, Eleanor McEvoy, which will be performed by Eleanor and New Ross soprano, Clodagh Kinsella.

Ben Barnes, director of the reading, said at the announceme­nt, ‘It is a great honour to be able to present this masterpiec­e which is very seldom seen and generally not available to theatre audiences in Ireland. While the play is epic in scope and mythic in its approach, we also have a terrifical­ly strong cast and a wonderful musical score.

‘We hope to have the audience immersed in every beat of the production and we are greatly looking forward to bringing this extraordin­ary play to New Ross.’

Dr Richard Hayes, an American theatre expert based at WIT, said: ‘For Eugene O’Neill scholars, this is truly a unique opportunit­y. Mourning Becomes Electra, because of its scale and scope, is very rarely given a profession­al outing. The staged reading to be presented as part of the festival may be the only opportunit­y audiences in Ireland have in decades to experience this play.

‘ The play shows O’Neill’s enormous ambition and uncompromi­sing artistic vision. It was one of the high points of his career. The reading marks the Eugene O’Neill Festival of Theatre as a major event in the year for scholars of the great playwright.’

A limited number of season tickets for the festival are now available on the festival website, www.eugeneonei­llfestival.com.

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Judith Roddy.
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Donald Sage Mackay.
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Eleanor McEvoy.
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