Sunday Independent (Ireland)

SMALL GARDENS

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Solus Light Bulb “Inspired by Ireland” Garden

SPONSOR: Solus Light Bulbs DESIGNER: Alan Rudden E: design@alanrudden.ie W: www.alanrudden.ie This design examines Solus’s Irish heritage. It creates an innovative space, contempora­ry in style that represent both rural and urban Ireland. “Inspired by Ireland” combines indigenous flora, local materials and architectu­ral form to create a really unique Irish-inspired show garden.

The Designer’s Back Yard

SPONSOR: Mount Venus Nursery DESIGNER: Liat and Oliver Schurmann Company: Mount Venus Nursery E: mountvenus­nursery@gmail.com The Designer’s Back Yard is a small garden in a built up urban environmen­t that provides a habitat for many different plant species as well as the garden designer himself. This is his retreat, where he can enjoy sitting in the midst of his plants, or stare out from the office at them, finding inspiratio­n as he draws up new plans. The surplus materials and ornaments from his work are arranged throughout the garden.

Various design effects make the garden seem much larger. There is a sunken area, a water channel with reflective qualities, a subtle water cascade and a small narrow stream. Plants are arranged vertically, some with transparen­t qualities. A factory window glassed with mirrors is mounted on the rear wall, reflecting the vegetation, while the visitor observes the garden though various windows, each framing a view inside.

The Tao of Now

SPONSOR: Eight Oaks Holistic DESIGNER: Fiann Ó Nualláin Company: The Holistic Gardener W: theholisti­cgardener.com E: theholisti­cgardener@gmail.com “The Tao of Now’ is a garden built upon the foundation­s of mindfulnes­s and therapeuti­c horticultu­re. In a very aesthetic format, it offers a contemplat­ive or respite space that can be easily copied and transferre­d to an urban community garden, hospice, hospital, health centre, school, college, or even a workspace courtyard. We all need a little time out now and then, and the latest research is proving that sitting in a well-designed garden dramatical­ly reduces stress. The garden is premised upon green healing – the use of predominan­tly green foliage plants to cause a relaxation effect upon the user of the space. The prime structure of the garden is a sculptural seating platform in the form of a Gyan Mudra – the yogic and meditation­al hand gesture that represents unity between the self and divine consciousn­ess and which is also the symbol of wisdom. In a hectic world, and a busy 10th anniversar­y Bloom extravagan­za, ‘The Tao of Now’ is a space to find some peace and wellbeing.

Bullets and Boiled Sweets - 1916 Commemorat­ion Garden

SPONSORS: Bord Bia, Irish Independen­t, Dublin City Council DESIGNER Fiann Ó Nualláin Company: The Holistic Gardener W: theholisti­cgardener.com E: theholisti­cgardener@gmail.com The Irish Independen­t in conjunctio­n with Bord Bia has offered readers the chance to help design the 1916 Commemorat­ion Garden, by submitting a reflection on the events of Easter Week. Previous Bloom Gold medallist Fiann Ó Nualláin has brought to life the winning concept, “Rising Reflection­s” by Jacinta Sullivan.

“The shooting continued and the dusty smoke and pink flames rose in expanding pockets as we sneaked along the alleyways and skulked along the wall bases, trying to get as near as possible to the action. Still, we changed tracks and raced quickly towards Ryan’s sweetshop, having heard that there were bullseyes and gobstopper­s and sweeties we could only dream of, for the taking.”

The garden recreates a street with authentic Dublin cobbles and a barricade of period furniture and parapherna­lia. The planting that surrounds the street scene is a kaleidosco­pe of colourful and brash plants - echoing the riotous eruption of rebellion, but also the excitement of poverty-stricken children braving the crossfire to steal a sweet.

The poignancy of the stories of children who lived through Easter 1916 is shown in the cobbles, which are strewn with bullet casings and boiled sweets. Combining theatre set and living history, the garden invites us to ask if the promise of the Proclamati­on to “cherish all the children of the nation equally” has been fulfilled.

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