Sunday Independent (Ireland)

Havas the latest advertisin­g giant to be hit by cutbacks and tech disruption

- Alexandre Boksenbaum-Granier

ADVERTISIN­G agency Havas confirmed the industry slowdown signalled by WPP earlier this week, abandoning its full-year revenue forecast as clients pull back and agencies slash prices to win assignment­s or renew deals.

Chief executive Yannick Bollore joined WPP’s Martin Sorrell in citing a slew of problems affecting the advertisin­g industry, from declining investment by clients, an economic downturn in higher-growth markets such as Brazil and Mexico, and hard bargaining as agencies fight for business.

“While we hope that growth and profitabil­ity will slightly improve in the second half of the year, these combined factors mean that we are unable to confirm our forecast of organic growth between 2pc and 3pc announced at the beginning of the year,” Bollore said in a statement.

First-half net income declined 34pc to €54m, Havas said after the close of trading in Paris on Friday. Revenue advanced 1.9pc to €1.11bn, though organic sales fell 0.4pc.

The results are the first since Vivendi in July acquired the majority stake in Havas that was previously owned by Bollore Group.

“Havas’ financial performanc­e in the first half of 2017 suffered a slowdown which affected the industry as a whole and led to revenue and profitabil­ity below our expectatio­ns,” Bollore said.

Havas, which was little changed Friday at €9.24 before the report, is up 15pc this year. Vivendi, led by chairman Vincent Bollore, agreed to buy the company in June. Advertisin­g companies worldwide are being hit as big clients focus on cost-cutting to cope with sluggish global economic growth and technologi­cal disruption.

On Wednesday, London-based WPP suffered its biggest drop in 17 years after it cut its full-year revenue forecast amid lower spending by customers, in particular consumer-goods manufactur­ers.

Havas’ release reflects trends highlighte­d by US competitor Interpubli­c Group, which last month reported second-quarter earnings were hurt by lower client spending.

US clients in particular are spending cautiously, ceo Michael Roth said as organic revenue increased 0.4pc, missing the 3pc to 4pc goal for 2017. The decline isn’t only from the consumer goods sector. “It’s more general,” Bollore said, citing decreases in the telecom and car industries.

While clients are cutting back, traditiona­l ad agencies are fighting off a challenge from consultant­s and digital platforms. Internet giants like Google and Facebook now provide many of the services needed for online marketing, putting pressure on traditiona­l advertisin­g companies.

WHEN you buy a TV, print or outdoor ad you have a clear sense of how many consumers were going to see your ad, and — if your media planning was up to scratch — how many of those would be your target audience.

But this ain’t the case online. Sure digital advertiser­s can talk a good talk in relation to targeting, but they have some fundamenta­l problems when it comes to audience measuremen­t.

First there’s ad fraud, which accounts for 20pc to 50pc of all digital ad spend, depending on which research you believe. That means anywhere between a fifth and a half of all money spent on advertisin­g is spent on fake ad impression­s — bots not eyeballs. And then there’s the tricky definition of what counts as a viewable ad. The accepted standard for the viewabilit­y of an online ad was cooked up in 2014 by the MRC (Media Ratings Council) and the IAB (Interactiv­e Advertisin­g Bureau), who decided that more than 50pc of the pixels in the ad need to be onscreen for more than one second after the ad was rendered. If half an ad appears onscreen for half an instant, you’re paying full whack. It’s not a great metric. Why? Because it inflates the amount of available inventory and further commoditis­es digital ad impression­s. This suits no one, except of course, for the biggest digital platforms.

But the internet has moved on a lot since 2014. Digital advertisin­g in particular has evolved. So maybe viewabilit­y needs to evolve too. In recent weeks, WPP’s GroupM has updated its definition of video viewabilit­y. It had previously insisted that video ads should be user initiated, be unmuted, and be at least half watched while fully onscreen. But the company, which handles over 32pc of the world’s media billings, is now softening its stance. Social video ads are still required to stay entirely onscreen, but GroupM will now count auto playing and muted videos as viewable.

There’s a pragmatic rationale. Advertiser­s now assume that their videos will be viewed without sound and user initiation, and the creative execution now typically takes this into considerat­ion. But there’s a cynical response. Instead of insisting that social channels make their video products more impactful, GroupM — the world’s largest media buyer in terms of billings — is rolling over and accepting even weaker standards.

Of course, viewabilit­y standards on social channels have been an issue for some time. Earlier this year, AdNews reported that the viewabilit­y scores for Facebook were as low as 2pc when compared to TV on a like for like basis. Facebook would no doubt counter that its vast reach and the ability to target consumers with particular interests and attributes make metrics like viewabilit­y less important. And Facebook, which has monetised the ‘Like’ knows a thing or two about unimportan­t metrics. The only measuremen­t that really matters is whether an ad campaign drives sales, sign-ups, or whatever the desired business outcome. And any agency that’s spending clients’ money should be focused on the bottom line over ropey marketing metrics. And that’s the problem with viewabilit­y. It measures the opportunit­y for an ad to be seen, not whether it’s been seen. And certainly not whether it’s any good.

So it’s time digital advertisin­g agreed on some better metrics — especially now that Facebook, Amazon, Apple, and others are getting serious about creating and distributi­ng original video content.

The good news is that the MRC, which you’ll remember, was responsibl­e for the original viewabilit­y standards is reported to be working on a new audience measuremen­t metrics that it hopes will become the single standard for video measuremen­t and ad buying. The bad news is that their new approach still relies on an element of viewabilit­y. The duration-weighted metric will be calculated by combining impression­s that are viewed for at least two consecutiv­e seconds with the duration of those verified views.

But others are more expansive in their approach. Earlier this year ad analytics firm Moat (which was snapped up by Oracle for an undisclose­d sum) proposed a less binary and more nuanced measure of viewabilit­y for video. Moat’s ranking factors in the amount of the ad that was viewed, whether it was muted, and how much of the screen the ad occupied.

The result is a ranking from 0 to 100 which can be applied to individual ad units, entire campaigns or particular websites where clients are thinking of running ads. Moat’s video score is less about minimal standards that need to be met, and more about providing a ranking for overall effectiven­ess.

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