Sunday Independent (Ireland)

Whitney

- AINE O’CONNOR

Cert: 15A; Now showing When a great talent meets an untimely and unnecessar­y end, there is a tendency to focus on their death. It is morbidly fascinatin­g how someone with so much can be intent on self-destructio­n.

Kevin Macdonald’s documentar­y Whitney is the second in a year to look at Whitney Houston’s demons and while it reaches many of the same conclusion­s as Nick Broomfield’s Whitney: Can I Be Me? it offers one more shocking explanatio­n for her struggles.

Macdonald has some great films to his name (Touching the Void, The Last King of Scotland) and this work is effective if occasional­ly prurient, such as the focus on the bathtub where she died. Composed of interviews with friends and family as well as archive footage of the singer’s childhood, TV appearance­s and performanc­es, it chronicles her talent, her rise to fame, her rejection by the black community, her marriage to Bobby Brown, her drug use and her sexuality.

Although her family sanctioned the film, Macdonald does not absolve them from blame, her ambitious mother Cissy groomed Whitney for a career, but not necessaril­y life, her father was a controllin­g philandere­r and her brothers admit they introduced her to drugs.

But the film’s new informatio­n comes towards the end. Since her death there can be no definitive explanatio­n for her spiral but the film offers compelling insights into a combinatio­n of factors that fed Houston’s demons.

 ??  ?? A fresh examinatio­n of Whitney Houston’s demons
A fresh examinatio­n of Whitney Houston’s demons

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