Sunday Independent (Ireland)

Fanny Lye Deliver’d

- AINE O’CONNOR

Cert: N/A; now streaming

Three years’ delay doesn’t usually bode well for films but Thomas

Clay’s Fanny Lye Deliver’d has not suffered from the budgetary constraint­s that got it stuck in post production. It’s a historical drama with modern, indeed eternal sensibilit­ies and while it slows in places, it is atmospheri­c and intriguing and features superb performanc­es.

In 1657 Oliver Cromwell’s England is a tough place after war and under puritanica­l religious fervour. Fanny (the always reliable Maxine Peake) is married to devout and devoted Cromwellia­n John (Charles Dance) who believes that sparing the rod will spoil not only the child, a quiet son called Arthur (Zak Adams), but the wife — both are beaten often. Fanny’s survival thus far has seen her learn to adapt, to submit, to obey and to hide her intelligen­ce.

Two strangers Thomas (Freddie Fox) and Rebecca (Tanya Redmond) arrive claiming to have been robbed on the road. Hearing that Thomas too fought for Cromwell, John allows them to stay a while but then a ‘popinjay’ sheriff (Peter McDonald) arrives and suggests the strangers are not what they seem. The film takes surprising­ly gory, but no doubt accurate, turns at times as it wanders through genres to tell the tale of Fanny Lye’s delivery from oppression. I enjoyed it.

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