Sunday Independent (Ireland)

Stefanie Preissner

- As sick as your secrets Swagger and a smile

The cafe trip that left me #morto

Is it just me, or has anyone else ever done something so mortifying that it genuinely hurts to recall the memory? Have you ever been so utterly embarrasse­d by a moment, an event, a misunderst­anding that, on recollecti­on, your eyes squint shut, your lips purse together like you’ve sucked a lemon and your whole body wants to fold in on itself with the force of the cringe?

Please tell me you have, because I don’t want to be alone with my shame any more.

It was my first time meeting someone inside a cafe since March. That is my first defence.

Socialisin­g and casual conversati­on are not things that come easy to me, and as I was four months out of practice, something was bound to go wrong.

You don’t give up running for four months and then go straight into a marathon: you’d pull a muscle! It’s the same concept with being a sit-in customer — except I’d give anything to have only pulled a muscle. Pulled muscles I can deal with, but I have nowhere for this free-floating embarrassm­ent to go.

I believe that you’re only as sick as your secrets — if you shine a light on something shameful, it can’t fester and grow in the dark, and by talking about things, we diminish their power. So here we go.

I rock up to the cafe between breakfast and lunch. My theory was that there would be less footfall at that time, which guaranteed me one of the few seats inside — and also, fewer people means less Covid-19 risk. I wasn’t wrong. The man behind the Perspex smiled at me. Maybe he didn’t, but there was a Joker-style grin design emblazoned on his face mask, which was a little disconcert­ing. I’m not sure it achieved the level of approachab­ility and friendline­ss he was going for, but I appreciate­d his gesture of wearing it all the same.

“Can I get a table for two, please?” I roared at him in order to be heard. Between my mask, the Perspex, the ambient noise of the coffee machine and the London Undergroun­d (the band, not the train), my roar was just about perceptibl­e. The Joker Waiter picked up two menus and cocked his head for me to follow him.

I sat down where instructed, pulled my chair in towards my table, and then checked the floor left and right to make sure I was still inside the little lines marked on the floor which indicate your two-metre allowance. When I looked up to order a coffee from The Joker

Waiter, he was gone. I spent some time assessing my surroundin­gs. I felt safe; distanced; comfortabl­e, even. My anxiety about stepping into sit-in society were unfounded in this instance. The Covid-19 warning stickers covered every surface. The hand sanitiser was flowing.

My shoulders dropped at little. I got too confident. I sat back in my chair and stretched my legs in front of me. In the movie version of this event, I’d have put my hands behind my head to indicate I was now too relaxed to be vigilant. This was where I went wrong. I should have kept my wits about me.

The Joker Waiter was looking at me from across the cafe. Maybe he was checking if I was finished reading the menu. Maybe he was calculatin­g if he could seat people in the table next to me and still have us all in our little quarantine boxes. I don’t know. All I know is I could feel his eyes checking me out.

He walked towards me with a kind of swagger that I’ve only ever seen in places that serve alcohol. Again, I think he was smiling, but because of the mask, I couldn’t be sure. He stood over me, leaned down a little, made strong eye contact, held it and then he definitely smiled. I could see the corners of his eyes pinching to reveal little crow’s feet. His accent was strong through his mask. His words were all curly and rounded and low-pitched and identified him as a Spaniard.

“Would you like to give me your name and number?” His question hit me like a scream at a birthday party. It was so out of place.

I blinked at him, my eyelashes heavy with Charlotte Tilbury mascara.

“I’m sorry, I actually have a boyfriend,” I said sympatheti­cally, putting a hand to my chest.

I smiled to soften the blow.

“No, Miss... it’s for the uh... contact tracing.”

Mortificat­ion (noun): a sense of humiliatio­n and shame caused by something that wounds one’s pride or self-respect.

If you too have been embarrasse­d to a level that almost needed medical interventi­on, please find me on Instagram and tell me your story to make me feel better. I’m @stefaniepr­eissner.

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