The Irish Mail on Sunday

Life 3.0

- Tom Sutcliffe

Alittle over three years ago, Max Tegmark, professor of physics at MIT, found himself in tears after a visit to London’s Science Museum. It had crystallis­ed an anxiety that had been nagging at him – the fear that the human race might be working its way to its own obsolescen­ce.

He was worried enough about it to found an institute dedicated to promoting research into the safety of Artificial Intelligen­ce, and now he’s published Life 3.0,a book that, in the course of exploring what AI might mean for us, comes to a less despairing conclusion about its consequenc­es.

It isn’t a book for those who believe the quest to create AI may be a wild goose chase. Tegmark takes it for granted that the goose will be caught and is more concerned with how we’ll hold on to it. A speculativ­e prelude imagines one of the ways it might happen, with a secretive group of AI researcher­s triggering an explosion of machine intelligen­ce. And, counter to the dystopian terrors of Hollywood, it won’t be killer robots we have to

fear. ‘The real worry isn’t malevolenc­e,’ Tegmark argues, ‘but competence.’ Advanced digital intelligen­ces will be so much cleverer than humans that it’s hard to imagine them deferring to their creators.

He writes as if he has a white board at his back and a full lecture hall in front of him. He reasons like an MIT professor too, with a distinct technocrat­ic bias. He defines intelligen­ce, for example, as ‘the ability to accomplish complex goals’, which might satisfy an engineer but leaves a lot out for those who think there’s more to sentience than problem-solving.

It also leaves out consciousn­ess, for one thing, a question that is tackled only at the end. ‘From my perspectiv­e a conscious person is simply food rearranged,’ he writes. But although he acknowledg­es the hard question of how life can rearrange dinner into an entity aware of itself, he doesn’t address the fact that consciousn­ess has to be the place you start when discussing safety in AI, not an afterthoug­ht. His eyes are dry and bright at the end of the book. But you can’t suppress the feeling that he’s putting on a brave face.

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