The Irish Mail on Sunday

And the loopiest award show Oscar goes to ...

He’s watching what you’re watching!

- Philip Nolan

AS if last Sunday wasn’t long enough with election coverage running from 9am on RTÉ One, I stayed up until 4.30am watching the Oscars live, rather than waiting for the always-unsatisfac­tory highlights show broadcast by RTÉ on Monday night.

As always, it was interminab­le and even more luvvie than ever. Despite drooping eyelids, it was hard to not crack up laughing at the spectacula­rly earnest Joaquin Phoenix, winner of the Best Actor award, who has used the entire awards season to push a variety of causes. It still came as quite the surprise when he decided his target this time was the dairy industry.

‘We feel entitled to artificial­ly inseminate a cow and steal her baby, even though her cries of anguish are unmistakab­le,’ he gravely intoned. ‘Then we take her milk that’s intended for her calf and we put it in our coffee and our cereal.’

These are all valid points, but raising them in the middle of the Academy Awards presentati­on was so spectacula­rly loopy, it was hard to know if he meant it or if he had returned to that performanc­e art phase in his career when he said he was giving up acting altogether.

As for Renée Zellweger, who won Best Actress, she trotted out the third different accent I’ve heard this year. At the Screen Actors Guild Awards, she was as Texan as an oil gusher, all ‘thanks, y’all’ folksiness. At the Baftas, she was Bridget Jones again, and at the Oscars just plain generic American. Maybe actors really are chameleons who adapt to different circumstan­ces, but it’s been oddly disconcert­ing to watch, like as if there’s no real Renée at all, just whichever one rocks up on any given night.

There were a couple of highlights, though. Irish conductor Eímear Noone was the first woman ever to get the Oscars gig and she knocked it out of the park, as they say, wielding the baton like Thor’s hammer.

The Oscars

Watching faces always is the best part of awards shows

Prison Breaks

Domini Kemp proved herself a patient and considerat­e mentor

Being Stan: A Life In Focus

A fascinatin­g look at a woman I have long admired

Best of all, she wore a dress by Irish designer Claire Garvey that looked like a glowing, golden suit of armour and if you thought it somehow seemed familiar, that’s because Claire also dresses Julian Benson every week on Dancing With The Stars.

For the fourth time, there was disappoint­ment for Saoirse Ronan, but she’s young and with so many nomination­s under her belt already, it surely can’t be long before she ascends those steps too.

The most realistic moment of the night was the look on 1917 director Sam Mendes’s face when Korean Bong Joon-hu won Best Director for Parasite. Watching faces always is the best part of awards show, because that’s where you see truly great acting performanc­es. Mendes, not being an actor, simply gasped in surprise. It was hard not to feel just a little sorry for him.

I felt sorry too for the six men featured in Prison Breaks, a new

Virgin TV series that follows restaurate­ur Domini Kemp as she tries to instil entreprene­urial values in six inmates in Dublin’s Wheatfield Prison. Prisoners and entreprene­urs, we were told, share some key traits – taking risks, selfbelief, determinat­ion and a little madness – and it was Domini’s job to harness those attributes and put them to good rather than nefarious use. She proved a patient and considerat­e mentor, gently drawing the best out of her pupils even as their commitment to the scheme wavered. When she asked one, imprisoned for selling drugs, if there was anything he liked doing, his answer made me laugh. ‘Not really,’ he said, and smirked before adding, ‘not legit’.

The one thing all the men shared was a strong desire not to re-offend (‘I’m too f***in’ old for this s***,’ said one, bluntly but with genuine world-weariness) and I look forward to the next three episodes to see how they fare. In the TV3 days, there was a tendency in documentar­ies to sensationa­lise; this one, produced by the independen­t Animo Television, was much more measured and while Phelim Drew’s voiceover was just a little on the portentous side, that certainly was a lot better than some of the manic commentari­es of old.

At the heart of it all, Domini Kemp proved warm-hearted but no one’s fool either. I hope we see more of her on television. I F Domini is new to helping others, Sister Stanislaus Kennedy has been doing it for decades. The founder of homeless charity Focus Point, now known as Focus Ireland, was the subject of Sister Stan: A Life In Focus on RTÉ. She is an incredible woman, indefatiga­ble in her crusade to get people off the streets and into housing.

The documentar­y accidental­ly showed how much has changed. In archive footage from her early years, Sister Stan dressed in convention­al nun’s clothing; nowadays, she looks just like any woman of her age, and it was nice to see that rigidity in dress consigned to history.

Along the way, you got the feeling that her spirituali­ty has extended beyond the confines of one religion too as she looked for ‘the still point within us’. It was a fascinatin­g look at a woman I have long admired, and a reminder that after all the guff we have endured on television this week in the wake of the election, one thing above all matters to Irish people. Everyone should have a home to call their own.

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