A diverting encounter with Anne’s racier side
Keys To My Life RTÉ One, Sunday The Real Michael Jackson BBC2, Monday Putin: A Russian Spy Story Channel 4, Monday The Nest BBC1, Sunday
Maybe I misunderstood what Keys To My Life was all about, but from the promos that have been running for a couple of weeks now, I thought it literally was bringing celebrities back to their childhood family homes and having a good old root around. I know that when we left a flat in Dún Laoghaire to move to a council house in Ballybrack, my brother and I secretly wrote little notes and wedged them behind the sash windows, and while it’s unlikely they’re still there (it’s 49 years ago!), I’ve always wanted to revisit just to check.
That wasn’t what we got. They kicked the series off with Anne Doyle, which probably seemed like a good move, because everyone loves Anne Doyle – but the problem was that her family home no longer exists. And, as it happens, the scope of the programme is much broader, so we saw her and host Brendan Courtney drive a vintage Simca (Anne’s sister had one) to revisit her old school in Ferns (where one of the teachers popped by to snitch on her), and the bedsit she shared when she moved to Dublin.
A theme soon emerged. Anne had a gamey eye, it seemed, and so we learned about her old boyfriends, and how she would run to the train station during school lunchbreak to pick up love letters from a lad in Dublin. Once again, we were treated to the clip of her kissing Brendan O’Connor in a full-on lip lock that apparently got her into trouble with the mandarins in RTÉ. Throughout all these tales, she stayed playful and coquettish, and hinted that there is an even racier Anne when the cameras are turned off, but it all became a little too much.
The only serious interlude was the death of her mother at just 62, when Anne was on holiday in Spain in the time before mobile phones. How she was tracked down and had the news broken was a sad story but a welcome break from a sort of Jackie magazine photo love story. Hopefully, the remaining episodes (it’s Johnny Logan tonight) will focus more on the houses, and maybe someone might even find a hidden note they once wrote to themselves.
If there was a frustrating lack of anything meaty in Anne Doyle’s story, there was even less in
Real Michael Jackson, the fourth documentary Jacques Peretti has made about the tarnished late star. It seemed to exist for no purpose at all, simply rehashing everything we already know about Jackson’s own mentally abusive childhood, the Peter Pan analogy, the rise to superstardom and, of course, the child sexual abuse allegations that, though never proved in court, still have the weight of truth on their side.
Compared with last year’s Finding Neverland and its compelling testimony of abuse victims Jimmy Safechuck and Wade Robson, Peretti’s film had nothing new to offer.
When Jackson was on trial for the alleged abuse of another boy, Gavin Arviso, Robson gave evidence that he himself had never been abused, and his testimony, and that of Jackson’s superstar friends, led to acquittal.
You could tell that one of the prosecutors, Ron Zonen, still was sad he