The Irish Mail on Sunday

Culture wars have swung to liberal side but for how long?

- Ger Colleran

ONE thing is for sure: nobody is going to put our Eurovision performer Bambie Thug into any kind of box that’s not of their choosing. And more power to them. We’ve had way too much of that here in the past. Fact is, none of us deserves to be strictly defined in a black or white kind of way in relation to any aspect of who we are, seeing as how we’re a jumble of contradict­ions on most things.

Bambie Thug’s national Eurovision success is, however, the latest highlight in the ‘culture war’ now raging here in Ireland and throughout the free world. (You’re unlikely to see Bambie Thug-style performers on stage in downtown Tehran any time soon.)

Like any conflict, this culture war ebbs and flows depending on time and location. Here in Ireland the ‘new order’ is clearly in the ascendent, as demonstrat­ed by the marriage equality referendum in 2015 which allowed same-sex couples to share the same misery as the rest of us, and the 2018 referendum which liberalise­d abortion. But in the United States, liberals are on the back foot, best illustrate­d by the overturnin­g of Roe v Wade in 2022 and the dismantlin­g of abortion rights throughout much of America.

Bambie Thug’s performanc­e on the Late Late was entertaini­ng on its own merits and compelling as well for its clear signpostin­g of difference. In the clip broadcast just before going on stage, Bambie Thug drove home that message in a way that most people simply couldn’t ignore, even if they might have wished to.

They said: ‘As a non-binary person I do represent a massive proportion of our country that is under-represente­d.’

And so Bambie Thug’s Doomsday Blue became political, not in a way that’ll have conservati­ves marching on the streets, but in a manner that encourages more of the ‘live and let live’ majority to consider whether all this ‘change’ is getting to be a bit too much. Too much of a challenge.

Now, it’s arguable – and a matter of opinion – whether a massive proportion of the population is non-binary, which I presume is what Bambie Thug meant. But their contention that non-binary people are under-represente­d has to be confronted because it raises all kinds of questions.

Is Bambie Thug suggesting that only non-binary people can represent non-binary others? If so, what does that say about the value and the rights attaching to straight people, for instance? Further, such a statement may also, by implicatio­n, mean that non-binary people cannot represent straights.

And there’s the rub, because that’s precisely the feeling of many ordinary people now – that their view of themselves is not sufficient­ly reflected or respected, that they don’t recognise themselves any more in what’s going on.

In America that alienation of the greater or sufficient number led to Donald Trump being elected president, to his blatant stacking of the Supreme Court into a conservati­ve majority, and to the overturnin­g of Roe v Wade. We all know that what happens in the States will happen here as well; it’s only a matter of time.

The decision by Junior Minister Jack Chambers in early January to share with us all that he’s gay was another head-scratcher for most people who think such ‘coming out’ declaratio­ns are now so past tense. Who cares any more? Anyway, it has absolutely nothing to do with his job.

SIMILARLY every mention by RTÉ of Bambie Thug informs us again that the artist is nonbinary, even though every single person who cares a fig ‘gets’ that already. This against the background of RTÉ’s failure to mention the gender preference­s of previous Eurovision entries, including refusing to disclose that Dustin was a turkey with a roving eye for the ladies. Totally straight apparently. Just saying.

Like Bambie Thug’s arrival, the Jack Chambers announceme­nt rallies conservati­ve concerns in a way that builds opposition to this new version of ourselves.

Inevitably, conservati­ve alienation will grow to embrace more of the middle ground, fed by an illdefined sense of being disregarde­d in a country, run by city-slicker liberal elites, where being straight almost demands an apology, by manufactur­ed concerns about immigratio­n stoked up by the far right, and by fears that wokeism will eventually unpick everything previously held dear.

The pendulum has now swung to the liberal side but, true to Newton’s third law of motion, it is likely to swing back, equal and opposite, in its own good time.

As Bambie Thug does their thing in Malmo on May 7, Enoch Burke will most likely be still behind bars for contempt of court over his refusal to stay away from the school where he formerly worked as a teacher. This incarcerat­ion arises from Burke’s objection, for religious reasons, to addressing a student at the school by their preferred pronoun.

Burke’s continuing protest is all part of the ‘equal and opposite’ swing of the pendulum, which one day threatens to wipe away liberal gains.

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euro star: Bambie Thug is the latest highlight in the culture wars
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