The Irish Mail on Sunday

Siún’s statement showed her cunning – but too late

- Mary mary.carr@mailonsund­ay.ie Carr COLUMNIST OF THE YEAR

IT’S fair to say that when Siún Ní Raghallaig­h was appointed chairwoman of RTÉ, no one had any idea that the job would evolve into such a front-facing role. Sure, the broadcast behemoth was teetering as usual on the edge of the precipice, juggling money troubles with the existentia­l problem of relevance, but it was widely agreed that the Irish-speaking media insider with an accountanc­y background would be the new broom the station desperatel­y needed.

It was also assumed that, like previous incumbents including Moya Doherty, she’d be able to fly under the radar publicity-wise, save for regular trips with the begging bowl to Leinster House.

Ms Ní Raghallaig­h’s CV is impressive; her career path from financial controller at the defunct Sunday Tribune newspaper to key player in the film industry at Ardmore and Troy studios amplifies her versatilit­y and leadership skills.

As chair of TG4, she had navigated that tricky intersecti­on between public service broadcasti­ng and commercial activities, something that made her unlikely to frighten the natives at Montrose.

Ms Ní Raghallaig­h’s response to her de facto sacking on Prime Time by Minister Catherine Martin showed her cunning side. Her departing salvo on how she had told Ms Martin’s department earlier about Richard Collins’s exit package going before the remunerati­on committee dialled up the pressure on the Media Minister so that the rolling scandals at RTÉ have become a serious political issue.

Her excess of caution about disclosing informatio­n, and seemingly operating on a needto-know basis, led to her fall from grace. Before the first Ryan Tubridy payments report was released, Ms Ní Raghallaig­h demanded Dee Forbes’s resignatio­n but never informed the minister of it. Not the best approach in an organisati­on like RTÉ which is funded by the taxpayer with a duty of transparen­cy to the public, an organisati­on that has promised to rid the place of informatio­n silos and hierarchie­s that, in the words of Ms Ní Raghallaig­h herself, ‘shun transparen­cy and foster bureaucrac­y’.

She displayed her business acumen when she became the first RTÉ person to admit what the public knew, which was that the station was ‘bidding against itself’ on the top earners’ fees.

Yet for all that, she is not a particular­ly engaging media performer and often comes across as a bit of a drone, someone who has been caught up in a mess that she would get around to sorting, if only she could shake off her monumental apathy.

Her lethargic public persona bears no resemblanc­e to her character, but in the age of digital media and 24-hour news, first impression­s are everything. It’s telling of the complacenc­y of the selection panel for her job that it didn’t see her lack of skill as a communicat­or as a big deal.

Those who decide Ms Ní Raghallaig­h’s successor should know that the right person will be the one who wants no part of the RTÉ cult and will smash it up, if needs be.

 ?? ?? ➤➤ IT appears that dodgy solicitor Michael Lynn, who escaped his humble origins in Co. Mayo to embody the excesses of the Celtic Tiger, is a gifted singer who sang solo as a child for Pope John Paul II. What a pity that the unique honour didn’t inspire him towards a musical career rather than its very opposite, a life of racketeeri­ng and rampant materialis­m.
➤➤ IT appears that dodgy solicitor Michael Lynn, who escaped his humble origins in Co. Mayo to embody the excesses of the Celtic Tiger, is a gifted singer who sang solo as a child for Pope John Paul II. What a pity that the unique honour didn’t inspire him towards a musical career rather than its very opposite, a life of racketeeri­ng and rampant materialis­m.
 ?? ?? ➤➤AFTER his naked dance in Saltburn and posing nude in a cheeky pic for Vanity Fair, left, Barry Keoghan’s private parts are becoming as familiar as Paul Mescal’s in Normal People. Let’s hope Barry is a little more relaxed than Paul, who complained about a female fan grabbing his derriere. When you court fame as a female fantasy figure, it’s a little ungracious to protest.
➤➤AFTER his naked dance in Saltburn and posing nude in a cheeky pic for Vanity Fair, left, Barry Keoghan’s private parts are becoming as familiar as Paul Mescal’s in Normal People. Let’s hope Barry is a little more relaxed than Paul, who complained about a female fan grabbing his derriere. When you court fame as a female fantasy figure, it’s a little ungracious to protest.
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