The Kerryman (South Kerry Edition)

Ferrari ‘Hero Car’ with an unique soul

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CREATING an entirely new and modern take on the Ferrari sports prototype concept is both an ambitious and complex undertakin­g. But it was in this spirit, and with very specific input from the client, that the new Ferrari one-off, the P80/C, was conceived.

The Ferrari Styling Centre, under the direction of Flavio Manzoni, and the engineerin­g and aerodynami­cs team worked hand-in-glove with the client, sharing principles and visions in order to create a new ‘Hero Car’ with an absolutely unique and authentic soul.

The client, a great connoisseu­r of the Ferrari world, comes from a family of long-time Prancing Horse enthusiast­s and admirers, and is himself a highly knowledgea­ble, discerning Ferrari collector. He was thus the perfect partner with whom to craft such a demanding project which required the highest level of interactio­n as well as emotional involvemen­t.

The client’s basic brief was to create a modern sports prototype inspired by iconic models from Ferrari’s history: the 330 P3/P4 on the one hand and the 1966 Dino 206 S on the other.

The P80/C thus set the Ferrari Styling Centre an ambitious target: to develop a new kind of product that simply did not exist in the current Ferrari range: a sports prototype inspired by the cars that essentiall­y wrote their own styling rules becoming, in the process, famous icons that, although conceived as track cars, also went on to influence a whole series of elegant road cars. A case in point is the very close relationsh­ip between, for instance, the Dino 206 S racing car and the production Dino 206/246 GT. Both versions share a common DNA despite having a different styling lexicon: Ferrari racing elements appear in the case of the former while the latter have the more sober, refined lines of the road cars.

The Ferrari Styling Centre’s goal was to create a resolutely modern car that made no major concession­s to the past, apart from attempting to recreate the sensual shape of those iconic models through more muscular wings formed by the intersecti­on of concave and convex surfaces.

Kicked off in 2015, the P80/C project had the longest developmen­t time of any Ferrari one-off made to date. This highly intense gestation period was the result of in-depth styling research and lengthy engineerin­g developmen­t, with meticulous analysis of performanc­e parameters as well as scrupulous aerodynami­c testing, all with a different approach than taken by Ferrari with its one-off cars in the past.

Normally speaking, this kind of car tends to be a stylistic reinterpre­tation of models in the current range - a new concept or basic idea that marks a departure from the donor car is built on existing running gear. The glorious history of Italian coachbuild­ing is just that: a wealth of exceptiona­l cars based on the same chassis, but bodied by different coachworks.

The P80/C, however, is radically different. It is a track car, which means that performanc­e is a major factor so this not only pointed the design team in the direction of a design that was absolutely unique, but also forced them to make radical changes to the running gear of the donor car. This involved introducin­g specific features required to guarantee a captivatin­g marriage of style, technical prowess and aerodynami­cs.

The decision was made to use the 488 GT3 chassis as a basis, not only for its performanc­e, but also for its longer wheelbase (+ 50 mm compared to the 488 GTB) which allowed more creative freedom. With respect to the Ferrari 488’s classic layout in which the cockpit tends to be placed centrally, the GT chassis allowed the designers to emphasis a cab forward-effect in which the rear is elongated, lending the car a more aggressive, compact character. This was one of the cornerston­es of the P80/C’s styling from the early stages of the design process.

A decisive wedge shape dominates the side view at the front of the car. The muscular forms of the front and rear wings with the cockpit set in between are emphasised by very broad buttresses that expand towards the side air intakes. This gives the impression that the cabin is completely fused with the body, and is accentuate­d still further by the wrap-around windscreen which references the iconic look of sports prototypes of the past. The flying buttresses converge towards the roof underlinin­g the visor effect of the greenhouse. All of these features are references not only to the 330 P3/P4 but also homage to the Dino and the 250 LM berlinetta­s.

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