The Jerusalem Post

Are Americans experienci­ng collective trauma?

- • By NEIL GROSS

We’re all familiar with the notion of psychologi­cal trauma – damage to an individual’s psyche caused by an extremely distressin­g event. But there’s also another kind of trauma: a collective disturbanc­e that happens to a group of people when their world is suddenly upended.

Consider the Buffalo Creek flood of 1972. In Buffalo Creek, a mountain hollow in West Virginia, a coal-mining company had deposited more than a million gallons of wastewater and sludge, checked by a rudimentar­y dam. Rain caused water levels to rise, and on Feb. 26, the dam burst. An enormous wall of thick black waste came barreling down the hollow, destroying one mining hamlet after another. Homes, churches, roads – everything was swept away. One hundred and twenty-five people were killed.

Visiting the area the following year, the sociologis­t Kai Erikson found the survivors psychologi­cally traumatize­d. Residents grieved for lost family members and friends. Many relived the event in flashbacks.

But Erikson noticed “collective trauma” as well. As he documented in his 1976 book about Buffalo Creek, “Everything in Its Path,” the floodwater­s carried away not just physical objects but also relationsh­ips and routines that had defined life there for generation­s. Without these social anchors, residents struggled to find meaning and purpose. They were disoriente­d and disconnect­ed in ways that could outlast even the effects of their individual psychologi­cal traumas. Socially, they were in a permanent state of shock.

The concept of collective trauma was rooted in the thought of Émile Durkheim, a turn-ofthe-20th-century French sociologis­t and an architect of the field. Durkheim argued that norms, values and rituals were the linchpins of social order; they provided the basis for solidarity and social cohesion. Collective trauma occurs when an unexpected event severs the ties that bind community members to one another.

It’s easy to see why a town-leveling flood might have this effect, and in a recent book that builds on Erikson’s ideas, the sociologis­t Ron Eyerman suggests that the damage wrought by Hurricane Katrina might be viewed through a similar lens. But environmen­tal catastroph­es aren’t the only source of collective trauma. Wars, genocide, financial crises, even largescale movements of population can radically challenge establishe­d ways of living together.

In a paper on the Polish transition out of Communism, the sociologis­t Piotr Sztompka has shown that changes in labor market conditions are ripe for producing collective trauma. Although the revolution of 1989 was a liberation, Polish workers were used to a planned economy. Many were unprepared for the spikes in unemployme­nt, price shocks and heightened competitio­n in the workplace that accompanie­d market reforms. Family life and friendship­s suffered. The trauma was registered in anxiety about the future, a nostalgic yearning for the Communist past and a decline in social trust.

As we’re seeing in the United States, mass job loss itself can be damaging to a collectivi­ty. In 1960, 24 percent of American workers held jobs in manufactur­ing. Today that number stands at 8 percent. Manufactur­ing jobs offered workers without college degrees – men especially – wages high enough that they could support their families. But factories and mills were more than sources of income. They were local institutio­ns. People built relationsh­ips and organized their lives around them.

As factories closed or were automated, the social structure of working-class towns and neighborho­ods was undercut. Men who used to be role models found themselves out of work. Many took low-wage service sector jobs they perceived as demeaning. Drug and alcohol use rose. There was talk about how things had changed for the worse. This was the realizatio­n that a social world was gone.

Last month’s presidenti­al election has collective trauma written all over it. For working-class white people whose communitie­s had been hollowed out by the decline of manufactur­ing, the rhetoric and promises of Donald J. Trump’s campaign offered a salve. He vowed to restore the world they had lost.

The aftermath of Trump’s election exhibits all the telltale signs

But those who voted for Hillary Clinton may now be experienci­ng collective trauma of their own. In the aftermath of the election, they have been walking around in a daze. Some of this is because forecasts based on problemati­c polling strongly predicted a Democratic win. Some is fear or uncertaint­y about the future. But there’s more to it than that: For progressiv­es, moderates and “Never Trump” Republican­s, the political order they long took for granted – defined by polarizati­on, yes, but also by a commitment to basic principles of democracy and decency – is suddenly gone.

In recent decades, Democrats and Republican­s rarely agreed on substance, but all candidates for major office were expected to adhere to fundamenta­l ethical norms, like “don’t threaten to jail your opponent” and “don’t celebrate sexual assault.” Trump’s victory signals that that world, with the assurances it offered that there were some lines those seeking power wouldn’t cross (or that the American electorate wouldn’t let them cross), is no longer. Rightly or wrongly, memories have been activated of historical traumas linked with anti-democratic politics, such as the emergence of fascism in interwar Europe and the rise of Sen. Joseph McCarthy in the 1950s.

The title of Mr. Eyerman’s book about Katrina – “Is This America?” – is a question many have been asking lately. It’s a telltale sign of collective trauma, a grasping for identity when the usual bases for community aren’t there anymore. If research on other collective traumas is any indication, it may take years, and a great deal of political imaginatio­n, for us to figure out where to go from here.

Neil Gross, a professor of sociology at Colby College, is the author of ‘Why Are Professors Liberal and Why Do Conservati­ves Care?’

 ?? (Susana Vera/Reuters) ?? VISITORS STUDY Spanish artist Pablo Picasso’s masterpiec­e ‘Guernica,’ at Madrid’s Reina Sofia National Museum of Art. The painting is the classic icon of communal suffering and pain.
(Susana Vera/Reuters) VISITORS STUDY Spanish artist Pablo Picasso’s masterpiec­e ‘Guernica,’ at Madrid’s Reina Sofia National Museum of Art. The painting is the classic icon of communal suffering and pain.

Newspapers in English

Newspapers from Israel