The Jerusalem Post

Re-crafting the Israeli digital narrative

- • By CORNELIU BJOLA and ILAN MANOR Prof. Corneliu Bjola and Ilan Manor are members of the Digital Diplomacy Research Group at the University of Oxford.

Winston Churchill famously remarked that diplomacy is the art of telling someone to go to hell in such a way that he asks for directions. While Churchill’s observatio­n may still hold true in offline diplomatic settings, such as UN forums, bilateral negotiatio­ns and even dinner receptions, it hardly characteri­zes the evolving field of digital diplomacy.

For it is within the digital sphere that foreign ministries and diplomats promote their country’s foreign policy by engaging in conversati­ons with connected publics, rather than giving them the boot. Brought about by the American desire to communicat­e with online Muslim publics and granted notoriety by the rise of digital platforms, digital diplomacy has seen the mass migration of foreign ministries to social networking sites such as Facebook, Twitter or Instagram. Chief among these is the Israeli Foreign Ministry, which is often regarded as a digital leader given its sizable online presence and sophistica­ted use of digital technologi­es.

As part of its strategy of communicat­ing with foreign population­s, the Foreign Ministry uses social media sites to craft and disseminat­e a specific digital narrative. A narrative may be viewed as strategic when it offers social media users a prism through which they can read and interpret global events and, by extension, can understand and hopefully support a country’s role in the world. For instance, the UK Foreign Office currently promotes the narrative of Global Britain as an attempt to redefine British role in the world in the post-Brexit period.

According to the Foreign Ministry, its digital narrative rests on dual economic and political pillars. The economic pillar links the diversity and openness of the Israeli society to its technologi­cal creativity. In other words, the start-up nation could have only evolved out of an open nation. Furthermor­e, these technologi­cal innovation­s are Israel’s gateway to the world. It is through its high-tech capabiliti­es that Israel can forge relationsh­ips with other nations, reinforcin­g this way its technologi­cal prowess.

The second pillar of the Israeli digital narrative offers a political interpreta­tion of global events. According to this pillar, Israel is the only democracy in the Middle East and a bastion of Western values in a region populated by despots. Next, Israel is at the forefront of a global war between Western values and radical Islam. Like France, the UK and Sweden, terrorist attacks against Israel are the result of a value clash rather than a territoria­l and national dispute. Finally, Israel draws an analogy between Palestinia­n terrorists and Islamic State (ISIS).

While the political pillar offers a prism through which foreign publics can understand Israeli politics, it may neverthele­ss prevent Israel from creating a receptive environmen­t for its foreign policy. Online publics are unlikely to accept Israel’s analogy between Palestinia­n actions and ISIS. While the former may be viewed as part of a national independen­ce struggle, the latter is associated with religious extremism. Moreover, Israel’s policies in the occupied territorie­s may be seen as a moral blemish that distinguis­hes Israel from other liberal democracie­s. Finally, there are those who assert that the Israeli-Palestinia­n conflict further heightens global tensions.

There is therefore a potentiall­y substantia­l gap between the economic and political pillars of Israel’s strategic narrative, a gap that risks diluting the message that Israel would like to communicat­e to the world. Any nation looking to forge an online strategic narrative, and to shape its global image, must mind such gaps.

One way to bridge this gap is by focusing on Israeli stability. The world is currently characteri­zed by uncertaint­y and unrest. The future of the European Union remains uncertain, the meaning of Brexit remains enigmatic and the Trump presidency is mired in conflict. Russia’s plans in the Middle East are unknown at best and destabiliz­ing at worst, while terrorist attacks are perhaps still to be expected on the streets of Berlin and Brussels. Crisis is the new norm.

It is within this global environmen­t of insecurity that Israel may reposition itself as an island of stability. Its financial durability, technologi­cal edge and commitment to democracy all enable Israel to be a constant factor in a region prone to unpredicta­bility. Thus, nations looking to influence the region can view Israel as a dependable and stable partner. Moreover, nations looking for prolonged trade opportunit­ies, especially in the high-tech sector, can depend on Israel’s resilience. This is arguably the reason why the current UK government has taken a more positive stance toward Israel. Indeed, at times of global change government­s often look to stabilizin­g factors. Israel can be that factor. What emerges is the narrative of economic and political consistenc­y. Digital platforms can enable Israel to engage with global publics and create a more receptive climate for its foreign policies. Yet to do so, Israel must re-craft its digital narrative in a way that combines well the economic and political roles that Israel seeks to play in the world. To paraphrase Churchill, digital diplomacy is not a game. It is an important business.

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