The Jerusalem Post

Leaving paganism

New exhibit chronicles ancient society

- • By DANIEL K. EISENBUD

An amulet, a painting depicting the Greek goddess Tyche, and a figurine celebratin­g the alcohol-soaked procession­s devoted to the god of wine Dionysus are now on display telling the story of ancient Hippos during its transition from the pagan Roman period to the Christian-Byzantine era.

Situated to the east of the Sea of Galilee, Hippos was founded in the second century BCE and destroyed by the devastatin­g earthquake of 749 CE, also known as the 749 Galilee Earthquake.

Over the past 18 years, the site which lies within the Nature and Parks Authority’s Sussita National Park has been excavated and explored by researcher­s led by Dr. Michael Eisenberg from the Institute of Archaeolog­y at the University of Haifa.

Now, Eisenberg and researcher­s from the university are displaying many rare antiquitie­s and relics unearthed at the site in an exhibition called “Before the Earth Shook: The Ancient City of Hippos-Sussita Emerges.”

“The excavation­s have yielded many impressive and unique findings over the years, both from the period when the city was still pagan and from the Byzantine and Umayyad periods, when Hippos had a clear Christian majority,” said Eisenberg on Monday.

“For the first time, the new exhibition at the Hecht Museum presents the story of this transition from a society that worshiped the classic Greco-Roman gods, to one that adopted the Christian faith. The case of Hippos clearly shows how in the center of the city, the residents – including Christian clergy – openly and publicly continued to use the pagan emblems of the Roman era.”

According to Eisenberg, the most fascinatin­g findings include a trove of 24-karat gold buckles and an amulet against indigestio­n.

“The amulet, with dimensions of 2.2 cm. x 2.4 cm., is made from hematite and set into a gold pendant bearing an inscriptio­n in Greek with the command ‘digest!’” he said.

It is from the Roman period during the 3rd to 4th century CE, but was set into the gold pendant during the Byzantine period during the late 6th century CE, Eisenberg noted.

“The researcher­s found the pendant in a stratum dated to the early 8th century CE in the northeast church,” he continued. “In other words, some three to four centuries after the Roman Empire embraced Christiani­ty.”

Together with associated findings, the researcher­s believe that the item was probably worn by an important Christian cleric who continued to use it for its original purpose of “warding off indigestio­n.”

Another finding on display at the exhibition includes a small, carved figurine made of bone, approximat­ely 12 cm. in height, depicting a dancing woman.

“On closer inspection, the woman turns out to be a ‘maenad’ – one of the regular members of the retinue that accompanie­d the procession­s devoted to the god of wine Dionysus,” said Eisenberg.

“The figurine, which was found in a building adjacent to the church and has been dated to the Roman-Early Byzantine era, was probably set in a wooden box or casket featuring other images of the procession­s to Dionysus that have not survived,” he continued.

“The procession­s to Dionysus – who was usually accompanie­d by the dancing maenads – was dominated by ecstatic dancing, drinking to excess, debauchery and rich manifestat­ions of sexuality. Yet, now we find one of the images most closely identified with this procession and licentious­ness in a building next to a church.”

Eisenberg pointed out that in addition to the small amulet and figurine, the site has yielded even more powerful testimony to the integratio­n of the emblems of the pagan past in the Christian present.

“On the wall of a home not far from the northeast church, an ashlar was uncovered bearing a fresco depicting the goddess of fortune Tyche, Fortuna in the Roman pantheon,” he said. “Tyche is shown wearing a mural crown, which naturally represents the city walls of Hippos.”

The northeast church and adjacent building were excavated by a delegation from Concordia University in St. Paul, Minnesota, headed by Prof. Mark Shuler.

Eisenberg explained that Tyche was the goddess who protected Hellenisti­c and Roman Hippos.

“She appears on Roman coins from Hippos holding the reins of a horse, or carrying a horse in her palm – both symbols of her role as the protector of the city,” he said, noting that the motif of Tyche as the protector of Hippos was chosen as an emblem for the new exhibition.

“During the Byzantine period, Tyche became a municipal emblem embodying a local patriotism that had deep roots in the classical tradition. As time passes following the transition to Christiani­ty, Tyche and the other former religious emblems probably lose their ritualisti­c characteri­stics and become cultural symbols that continue to accompany Hippos, until the city was devastated and abandoned following the earthquake of 749,” he added.

Because Sussita National Park has not been prepared for organized visits by the public, Eisenberg said the new exhibition at the University of Haifa’s Hecht Museum will offer an exceptiona­l opportunit­y to “see a city that was founded over 2,000 years ago and has now come back to life following 18 years of archeologi­cal studies.”

The exhibition will remain on display at the Hecht Museum through next year.

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 ?? (Courtesy Dr. Michael Eisenberg) ?? ITEMS DISCOVERED at Sussita National Park include (left) a fresco of the goddess Tyche with crowned walls for her head and (right) a bone figurine of a woman dancing.
(Courtesy Dr. Michael Eisenberg) ITEMS DISCOVERED at Sussita National Park include (left) a fresco of the goddess Tyche with crowned walls for her head and (right) a bone figurine of a woman dancing.
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