The Jerusalem Post

The epic chronicler

Claude Lanzmann, director of the acclaimed ‘Shoah,’ dies at 92

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Claude Lanzmann, one of the world’s foremost makers of documentar­y films about the Holocaust, has died.

Lanzmann, a French Jew who directed the canonical 1985 film Shoah, died on Thursday at the age of 92 at his home in Paris, Le Monde reported.

Although he is best known for the nine-hour-long documentar­y bearing the Hebrew-language name of the Holocaust, his many projects “have changed the history of film making forever,” a Le Monde author wrote in an obituary for Lanzmann.

His works about the Holocaust were extensive and innovative in how they were among the first to tackle for a wide audience aspects of the genocide that had been scarcely discussed for their sensitivit­y, including the role and level of knowledge of locals in Eastern Europe about the mass murder of Jews in their countries. He also dealt with the sensitive and divisive subject of Jews working in the service of the Nazis in the framework of the annihilati­on.

Lanzmann, who in 2011 received the French Legion of Honor, the country’s highest distinctio­n of merit, had two children, one of whom, Felix, died last year of cancer at the age of 23. Lanzmann was deeply affected by Felix’s death, Le Monde wrote.

Parallel to his film making career, Lanzmann was also an author and frequent contributo­r of essays to mainstream publicatio­ns in France and around the world. In 2012, he published a biography entitled The Patagonian Hare, which covers a range of subjects in which Lanzmann had been involved, including human rights violations in North Korea and the fate of Holocaust survivors who had been maimed in medical experiment­s.

One of Lanzmann’s most recent and profound cinematic works was released in 2013. A documentar­y titled The Last of the Unjust, which is based on interviews that Lanzmann conducted in 1975 with Benjamin Murmelstei­n, the only surviving president of the Jewish Council in the Theresiens­tadt concentrat­ion camp.

Shunned after the war as a collaborat­or, Murmelstei­n was imprisoned and then acquitted by the Czech authoritie­s. Yet the perception of guilt over what was then largely a taboo remained, and analyzed openly in Lanzmann’s intimate interviews, conducted over the course of a week during which the two develop what looks like a friendship.

“Claude Lanzmann was single-handedly responsibl­e for keeping the memory of the Holocaust alive in the hearts and minds of so many around the world,” Natan Sharansky, outgoing chairman of The Jewish Agency for Israel. “His magnum opus, Shoah, captured the horrors of that period through the personal testimonie­s of survivors, witnesses, and perpetrato­rs alike and was the first time many were confronted with the reality of the Holocaust as told by those who were there.

“His personal dedication to commemorat­ing the Shoah was unparallel­ed, and he traveled around the world, even in his later years, to ensure the memory of the victims was never forgotten. For that, we owe him a great debt of gratitude. May his memory be a blessing,” Sharansky said.

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 ?? (Eric Gaillard/Reuters) ?? DIRECTOR CLAUDE Lanzmann poses for a photo at the 70th Cannes Film Festival during a photo-call for the film ‘Napalm’ presented as part of Specials screenings in Cannes, France last year.
(Eric Gaillard/Reuters) DIRECTOR CLAUDE Lanzmann poses for a photo at the 70th Cannes Film Festival during a photo-call for the film ‘Napalm’ presented as part of Specials screenings in Cannes, France last year.

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