The Jerusalem Post

Friendly Efendi

A look inside one of Acre’s standout hotels

- BY BARRY DAVIS

There is a sense of throwback about Acre. As you wander through the alleyways of the older part of town you can almost imagine yourself over in Baghdad or, possibly, Tangier, in days of yore. There is a dusty charm to the place that captivates the imaginatio­n, and relaxes the heartbeat.

It is among those quaint backstreet­s that you will find the Efendi Hotel, a boutique establishm­ent unlike any other you are likely to encounter on your travels. It might be down to the fact that it is located on a narrow side street, but the entrance to the hotel is nothing to shout about. If you don’t see the Efendi sign jutting out above the doorway you might even miss it. But, if you take the trouble to tug on the handle and venture inside, you can step into an ambiance that one could describe as enchanting, and even magical, without being found guilty of hyperbole.

The first thing you notice is a palpable sense of space. The lobby area couldn’t rival a Hilton or a Sheraton in terms of lateral proportion­s, but the vaulted ceiling and suitably dimensione­d and designed light fittings tower above you.

The term “boutique” intimates the non-formulaic, and that is exactly what you get at Efendi, along with a personal touch. All the staff we encountere­d during our two-nighter there were friendly and helpful, and not in a routine schooled way. We felt they genuinely wanted to help us, and for us to enjoy our stay there. That we did, in spades.

A word or two about the building. On our arrival, we were given the grand tour starting from the basement level which now serves as a cozy wine bar. But a millennium and a half ago, the Byzantine locals of the day made good use of the site until the Crusaders came over from Europe, in the 11th century, and replaced them. The buildings on the site of the Efendi were clearly prime real estate back in the day, and the Crusaders were eventually ousted by the Ottomans, who made good use of the place for several centuries.

The remnants of the archaeolog­ical time line can still be seen today at the hotel – testament to the way Uri Yirmias went about his business. Glorious past notwithsta­nding, when Yirmias came across the adjoining 16th-century Ottoman buildings which now house the hotel, they were in a sorry state of disrepair. Apparently, the municipali­ty had been trying to offload the property for some time but, in view of its woeful condition, few were even willing to consider touching it with a proverbial bargepole.

However, Yirmias saw the potential submitted a bid and, around 15 years ago, became owner of the properties which he quickly knocked into one. It took more than eight years, and close to NIS 30 million, to bring the place up to the desired standard of creature comfort and, no less important, aesthetic appeal and authentici­ty.

The historical roots are evident all over the place – from the carefully rehabilita­ted vaulted arches to the walls and delicately painted ceilings. The latter were restored to their original exquisite beauty by a team of local artisans, and Yirmias also had a bunch of experts from the School for Historic Preservati­on in Venice flown in for the job.

The room we were given sported a superking-size bed which offered a perfect vantage point to appreciate the floral-painted ceiling ornamentat­ion, more than five meters above us. Luxuriatin­g in the retro-style bathtub, with the Mediterran­ean Sea lapping away just the other side of some whitewashe­d rooftops, was a blast too. IF THERE are any “pockmarks” in the Efendi offering you could point out that not quite everything about the place gleams. In places, the floor tiling in our room sported the evidence of a few years of sterling use, but that would be tantamount to nit-picking.

All told there are a dozen guest rooms at the hotel. Considerin­g the floor space at Yirmias’s disposal, he could have been forgiven for increasing the accommodat­ion offerings, but that is clearly not part of the luxuriousl­y bearded septuagena­rian’s mind-set. Yirmias is a maverick, a classic out-of-the-box thinker. That left-field approach also comes across in his famed Uri Buri restaurant, down near the seafront. It is primarily a fish eatery, but Yirmias was happy to devise some inventive vegan dishes for our gastronomi­c pleasure. “I don’t go for ‘accepted practice,’ in food or anything else,” he points out, when we meet for dinner. The fact that the place was jam-packed, World Cup soccer TV programmin­g notwithsta­nding, said much about the place’s popularity. “I don’t like to go over old ground,” Yirmias adds, although, during the course of the evening, he did produce a hefty photograph­y tome with some evidence of his wild younger days, in places like Hamburg. There, in the early and mid-Sixties, Yirmias encountere­d The Beatles and Jimi Hendrix.

Back at the hotel we were able to sprawl out on the huge first-floor balcony, with its comfy cushions, and take in the sea breeze. And there are three more communal large open spaces to be enjoyed, with outsized sofas, a plank-like table with intriguing depression­s which, Yirmias informed us, was specially flown over from the Himalayas. Typical of the man. There is also an enormous oval-shaped table in another part of the first floor, with a very large chandelier overhead, and, if you fancy a game of chess, there is an outsized set strategica­lly positioned between two comfy armchairs.

More refreshing marine air can be had on the rooftop, which also has a compact bar, and, should you require anything more in the way of tension-dispensing facilities the hotel also has a restored 400-year old hammam-spa with a slew of massages and other treatments on offer.

Breakfast is served on a long wooden table, which evokes images of a medieval knights’ hall, and neatly offers a confluence for socializin­g with the other guests.

There is plenty more to enjoy in Acre, and we took in the Akoshi Museum of Art and the Turkish Bathhouse, and particular­ly enjoyed the Treasures in the Walls ethnograph­ic museum.

Just one word of warning, if you like sleeping with the windows open you might be awoken before dawn by the sound of a muezzin wafting across the sleepy Acre rooftops. While that was, at first, a little startling, and then entertaini­ng, the canine chorus that joined in sent us back to sleep with a giggle.

For more informatio­n: (04) 729-9799 and www.efendi-hotel.co.il

The writer was a guest of the hotel.

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 ??  ?? THE HISTORICAL ROOTS attribute is evident all over the Efendi – from the carefully rehabilita­ted vaulted ceilings, to the walls and delicately painted fixtures.
THE HISTORICAL ROOTS attribute is evident all over the Efendi – from the carefully rehabilita­ted vaulted ceilings, to the walls and delicately painted fixtures.
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(Assaf Pinchuk)

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