Una ca­sa sul ma­re A Hou­se on Long Island

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A Long Island To­shi­hi­ro Oki rea­liz­za una re­si­den­za co­me piat­ta­for­ma so­cia­le aper­ta sul pae­sag­gio To­shi­hi­ro Oki de­si­gned an ocean­front re­si­den­ce on Long Island, or­ga­ni­zed as a per­fect so­cial plat­form

Una be­ne­stan­te fa­mi­glia new­yor­che­se ha in­ca­ri­ca­to l’ar­chi­tet­to giap­po­ne­se To­shi­hi­ro Oki, for­ma­to­si pres­so lo stu­dio Sa­naa di To­kyo, di pro­get­ta­re a Long Island una ca­sa per wee­kend in cui fos­se­ro pro­ta­go­ni­sti gli spa­zi de­sti­na­ti al­la vi­ta so­cia­le, re­sa bril­lan­te dal­la fre­quen­te pre­sen­za di ospi­ti. Il pro­get­to en­fa­tiz­za per­ciò la zo­na gior­no pen­sa­ta co­me piat­ta­for­ma so­cia­le in que­sta abi­ta­zio­ne in cui tut­ti gli am­bien­ti so­no in osmo­si flui­da e di­ret­ta con il va­sto giar­di­no dal­le dif­fe­ren­zia­te qua­li­tà spa­zia­li, che dà ac­ces­so al­la pi­sci­na e al lun­go­ma­re. La Bell­port Hou­se vi­ve di vi­sua­li e di lu­ce. La lu­ce si ri­ve­la fon­da­men­ta­le per la va­lo­riz­za­zio­ne dell’ar­te con­tem­po­ra­nea, di cui il pro­prie­ta­rio si oc­cu­pa a li­vel­lo pro­fes­sio­na­le. (Ele­na Fran­zo­ia)

A well-to-do New York fa­mi­ly char­ged the Ja­pa­ne­se ar­chi­tect To­shi­hi­ro Oki, who trai­ned at the Sa­naa stu­dio in To­kyo, wi­th ma­king a wee­kend ho­me for them on Long Island in whi­ch the areas de­di­ca­ted to so­cia­li­sing, en­li­ve­ned by the fre­quent pre­sen­ce of guests, would be the star. The pro­ject the­re­fo­re em­pha­si­ses the com­mon areas, con­cei­ved as a so­cial plat­form, in a re­si­den­ce that fea­tu­res the pos­si­bi­li­ty for all the spa­ces to ha­ve di­rect and fluid ex­chan­ge wi­th the va­st gar­den, and its va­rious di­stinct set­tings, whi­ch leads to the pool and the wa­ter­front. The Bell­port Hou­se dra­ws li­fe from views and light. Light that re­veals itself to be fun­da­men­tal to the ap­pre­cia­tion of the con­tem­po­ra­ry art on di­splay, whi­ch the ow­ner works wi­th pro­fes­sio­nal­ly

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