LA MURRINA SA­LE IN AU­TO

THE MURRINA GOES FOR A RI­DE

Abitare - - Orizzonti -

PRO­GET­TA­RE UNA LI­VREA per la Ci­troën C3 ispi­ran­do­si all’at­mo­sfe­ra ve­ne­zia­na. Que­sto è sta­to chie­sto a di­ciot­to stu­den­ti del­la Scuo­la In­ter­na­zio­na­le di Gra­fi­ca Ve­ne­zia per il Ci­troën De­si­gn Pro­ject. Il pro­get­to vin­ci­to­re, tra i die­ci pre­sen­ta­ti, è quel­lo di Fran­ce­sco Tas­si e Mat­teo Cin­quet­ti che si so­no ispi­ra­ti al­la tra­di­zio­ne del ve­tro mur­ri­no e ai suoi in­con­fon­di­bi­li ef­fet­ti po­li­cro­mi, per in­ter­pre­ta­re le pa­ro­le chia­ve che de­fi­ni­sco­no que­sta au­to­mo­bi­le: co­lo­re, ot­ti­mi­smo, fre­schez­za, ener­gia. (SB)

DE­SI­GNING A LOOK for the Ci­troën C3 in­spi­red by the at­mo­sphe­re of Ve­ni­ce. That is what eighteen stu­den­ts at the Scuo­la In­ter­na­zio­na­le di Gra­fi­ca Ve­ne­zia we­re asked to do for the Ci­troën De­si­gn Pro­ject. The win­ning de­si­gn, among the ten sub­mit­ted, was the one by Fran­ce­sco Tas­si and Mat­teo Cin­quet­ti, who took their in­spi­ra­tion from the tra­di­tion of the mo­saic glass cal­led murrina and its unmistakable po­ly­chro­me ef­fec­ts to in­ter­pret the key words used to de­scri­be this car: co­lour, op­ti­mi­sm, fre­sh­ness, ener­gy.

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