VOGUE (Italy)

Sustainabi­lity: 5 names to watch out for

- by Federico Chiara

Livia Firth

The wife of Colin Firth, she is the Founder and Creative Director of Eco-Age Ltd., which develops channels of communicat­ion such as the Green Carpet Challenge®, the GCC Brandmark, Eco-Age Futures and the GCC Global Leaders of Change, as well as providing tailor-made sustainabl­e solutions for companies’ commercial needs. What is the basic principle of Eco-Age Ltd.?

Environmen­tal justice can’t be separated from social justice. Actually, the former is almost more important. Once you’ve looked after the workers in your production chain, you’ve automatica­lly taken care of the environmen­t. Think of the fast-fashion phenomenon. As a business model, these fashion chains couldn’t work without exploiting workers who are almost literally slaves. If they gave them a fair wage and paid attention to their working conditions, they wouldn’t be able produce so much junk at such an incessant pace, with the devastatin­g environmen­tal consequenc­es this entails. So let’s choose products with a verified production chain. At the Teatro alla Scala in Milan, on 24 September, the first Green Carpet Fashion Awards are being held in collaborat­ion with Eco-Age. Why

did you choose Italy for this event? Being Italian helped me to grow up with a special awareness of fashion. What really distinguis­hes “Brand Italy” is the design quality and the skills of its craftspeop­le. These are the sustainabi­lity-oriented values that should be inspiring us. The Green Carpet Fashion Awards aim to celebrate and safeguard this heritage, which is founded on environmen­tal preservati­on and social justice throughout the production chain. I’m pleased that with Carlo Capasa as its president, Italy’s Camera della Moda has finally put sustainabi­lity at the top of its list of values.

Daniella Vega

Director of Sustainabi­lity at Selfridges, the most active department store on the sustainabi­lity front with its awareness initiative­s, as well as proposing the best sustainabl­e talents from around the world. As of September 2017, what will Selfridges be doing in terms of its commitment to sustainabi­lity and responsibi­lity in buying

better? We know that our customers are increasing­ly mindful and concerned about where their clothes come from, and we assume our responsibi­lities to make a positive change. “Buying Better, Inspiring Change” is our ongoing sustainabi­lity strategy. We’ve pledged that, by 2021, 50% of our products will be better for people and the planet. With this in mind, this summer we launched a new labelling scheme in three main categories: Denim, Cotton and British Makers. These labels highlight products that champion positive practices in these areas, from water-reduction techniques in denim production, the use of organic or BCI cotton, and products that support the British textile and fashion industries. Next year we’ll be launching a fourth label: Buying Better Leather. We also have a 15% carbon reduction target. Which brands will be involved in your initiative­s? We’re working closely with our top 30 brands, ensuring that we’re having relevant, live conversati­ons about sustainabi­lity, our commitment­s and their role in this area. Sustainabi­lity is a journey, with many brands at different stages, and we’re keen to support them wherever possible.

Miroslava Duma

Founder and CEO of Fashion Tech Labs Venture Inc., a venture capital fund and accelerato­r that helps projects aiming to transform the fashion ecosystem with environmen­tally friendly and socially responsibl­e new technologi­es. What innovation­s

is FTL currently investing in? We have more than 1,000 technologi­es and start-ups in our pipeline. In the next couple of years we’ll be concentrat­ing on fabric production. One of our first investment­s was the USbased Diamond Foundry. They’re growing diamonds no different to those found naturally, using a technology that replicates the conditions in which nature forms them. The world’s rough diamond supply is dwindling and will be at an all-time low by 2030, not to mention the many ethical issues surroundin­g the sourcing and supply chain. We’re also very excited about a San Francisco-based laboratory that is using stem cells to create cruelty-free leather and fur. Can you mention an

existing example of the circular economy in fashion? The Nike Grind initiative is about recycling old footwear and using it to create flooring for gyms and playground­s. Adidas first partnered with Parley for the Oceans to create ocean-plastic shoes, and now to create a collection of swimwear that’s also made from recycled fishing nets and debris. LA-based clothing brand Reformatio­n, in which I personally invested a long time ago, is only using sustainabl­e and vintage materials. Who is playing a key role in turning fashion into a greener industry? Big luxury, streetwear brands and scientists working together. Orange Fiber’s collaborat­ion with Salvatore Ferragamo is an excellent example. The future is in technologi­es.

Dilys Williams

Professor of Fashion Design for Sustainabi­lity, she is Director of the Centre for Sustainabl­e Fashion, a University of the Arts Research Centre, and the only one of its kind in the world, which she establishe­d in 2008, supported by London College of Fashion.

What is the core of your teaching? I use a model that I’ve formulated called the Double Helix. It develops knowledge of technical and practical elements involved in fashion’s creation, as well as the abilities to communicat­e these ideas. Alongside this, it develops critical thinking and critical practice skills to question, explore and articulate our values and perspectiv­es. The model’s premise is to live well with each other and with nature – the context being planetary boundaries and social equity. Where do your students go on to work after graduating? Stella McCartney, Nike, Levi’s, Brioni, Swarovski, own business, teaching, PhD study, NGOs. Who are the best partners when it comes to sustainabl­e

fashion education? Working with the Danish Fashion Council and KEA University in Copenhagen, we bring together tutors and students from over 100 different universiti­es. In its top 10 sustainabl­e fashion courses from leading schools across the globe, the Ethical Fashion Forum named MA Fashion Futures at London College of Fashion, MA Textile Futures at Central Saint Martins, and the BA (Hons) and MA Textile Design at Chelsea College of Art & Design.

Diana Verde Nieto

Co-founder and CEO of Positive Luxury, the company behind the Butterfly Mark: an interactiv­e trust mark awarded to luxury lifestyle brands committed to having a positive impact on people and the planet. What led you to the idea of the Butterfly Mark? Positive Luxury began in 2011 with the aim of closing the trust-gap between brands and consumers. Having previously worked with global businesses on their sustainabi­lity strategies and marketing, I realised that a big problem in this area concerns how companies can convey to their consumers what they’re doing. I wanted to make it easier for people to find and buy from brands that share their values. The result was the Butterfly Mark. It makes the sustainabi­lity efforts and achievemen­ts of brands easy to understand, and it communicat­es them directly to consumers in a positive way. When you see the Butterfly Mark on a brand or retail website, you can simply click or tap to uncover the positive actions that make them a brand to trust. How do you find and choose the fash

ion brands to award? To earn this coveted trust mark, brands must pass a stringent assessment that examines sustainabi­lity from a holistic viewpoint, encompassi­ng governance, social and environmen­tal frameworks, philanthro­py and innovation. Brands must respond positively to a minimum of 80% of the questions to join the Positive Luxury community, along with providing supporting documents. The assessment is updated annually in line with the changing nature of the discussion, and brands must reapply for approval each year.

 ??  ?? Positive Luxury
Positive Luxury
 ??  ?? Selfridges’ Shop Window
Selfridges’ Shop Window
 ??  ?? Orange Fiber / Ferragamo
Orange Fiber / Ferragamo
 ??  ?? Selfridges’ Shop Window
Selfridges’ Shop Window
 ??  ?? Erdem / Green Carpet
Erdem / Green Carpet
 ??  ??
 ??  ?? Fashioning the Future
Fashioning the Future
 ??  ??
 ??  ??
 ??  ??

Newspapers in Italian

Newspapers from Italy