Jamaica Gleaner

Chapters of history that teach the future

- Amitabh Sharma

HISTORY, FOR most of us, is buried somewhere in time, oft excavated from the dirt, sifted from the annals of time. Walking down steep flight of cold concrete stairs at the National Museum Jamaica was walking back in time.

Jason Ramsay, keeper of collection­s, National Museum Jamaica, led the way to a room where history is stored, and aptly, like all treasures, these collection­s are below the ground level.

“Asking why we should learn about history is the same argument as why we should learn mathematic­s or physics,” said Ramsay. “We have to learn about our past beyond the cliche that exists.”

Worldwide, as in Jamaica, museums have a significan­t role to play as the vital link between the past and the present and how mankind has evolved and technologi­es have developed.

“Museums act as national agents for the collection, preservati­on, and documentat­ion of national material culture,” Ramsay said. “They also help to keep our traditiona­l cultural practices alive, show progress and also how we have interacted with our environmen­t.”

One such chapter is that of slavery, one of the darkest time for humanity, when compassion, love and respect became nonexisten­t.

AWAKENING EXPERIENCE

Ramsay, who attended a workshop organised by The US National Park Service and the US Department of State Bureau of Educationa­l and Cultural Affairs through the Protecting Slave-Related Sites and Antiquitie­s Project, was made aware of the significan­ce of preservati­on of that chapter.

“This move by the National Park Service and The College of Charleston for me signalled the same fall as the Berlin Wall, where barriers, whether it be cultural, social, and geographic­al, were destroyed,” he said. “My attendance signified for me a small chip in that wall.”

Ramsay said that the conference offered more than just the opportunit­y for sightseein­g. It was a chance to broaden his knowledge on museums and their operations.

“In attending the conference, my main aim was to converse with fellow archaeolog­ists, anthropolo­gists and conservato­rs and exchange research material in the attempt to form a network and possible collaborat­ion on projects,” he said.

“One of the sessions I enjoyed was the tour of Sullivan’s Island, where we were able to not only tour the facility, but have discourse with the individual­s mandated to preserve and protect the nation’s heritage,” he said.

“The session alleviated some of my fears in terms of conservati­on practices that we administer at the Institute of Jamaica, as well the global methods for correct conservati­on.”

Ramsay, though, added that often, museums are seen as places where unwanted objects or materials are deposited and they are not readily seen by the wider public as educationa­l resource centres.

Every child comes with the message that God is not yet discourage­d of man Rabindrana­th Tagore

“This negative interpreta­tion of what museums mean has aided in the inhibition of their developmen­t in most countries, especially in developing countries,” he said, adding that it has become necessary and urgent for museums to redefine their missions, their goals, their functions, and their strategies to reflect the expectatio­ns of a changing world.

Ramsay said that National Museum Jamaica is visited by groups of school and tertiaryle­vel students, and most of the times they are in awe and disbelief as he picked up a phone with a rotary handle, which was turned to call an operator in the telephone exchange to place a call. Bandwidth at that time was circular movement of the handle.

Holding a place of pride is a bamboo baton from the Helsinki Olympics of 1952 of the Jamaican relay team that won the 4 x 400 relay gold medal, a time when the athletes competed under the Union Jack.

Objects like these inform us not only of our past glories and achievemen­ts but give us valuable lessons on the course correction we need to make, so that mistakes of the past are not repeated.

PROTECTING SLAVE-RELATED SITES AND ANTIQUITIE­S PROJECT, 2017

Worldwide, archaeolog­ical and historic sites associated with the historic slave trade — particular­ly in coastal Africa, the Caribbean, and coastal North and South America — face threats from developmen­t, looting, vandalism, neglect, invasive plants and animals, and the effects of changing global climates.

These sites of conscience possess powerful meaning for communitie­s affected by the slavery, and their preservati­on is important to understand­ing its history. The US National Park Service and the US Department of State Bureau of Educationa­l and Cultural Affairs collaborat­e to produce workshops for internatio­nal partners through the Protecting Slave-Related Sites and Antiquitie­s Project, with funding from the Cultural Heritage Center, Department of State. The programme will improve the capacity of culturalhe­ritage institutio­ns in partnering nations to preserve and protect heritage sites associated with the historic trans-Atlantic global slave trade.

Participan­ts in the programme — who are charged with the stewardshi­p of resources associated with the slave trade in their own nations — work with NPS, DOS, and other personnel in a collaborat­ive environmen­t to:

Employ contempora­ry cultural resource preservati­on policies and practices at slave trade sites;

Improve protection of sites associated with the slave trade;

Foster community engagement as a means of site protection;

Support terrestria­l and submerged resource survey and stewardshi­p;

Where appropriat­e, participat­e in technical assistance to achieve the aims above.

The project was conducted in two sessions: a policy workshop, held in February 2017, and a technical workshop held in April 2017. NPS will provide additional technical assistance to participat­ing nations in 2017 or 2018.

 ?? CONTRIBUTE­D ?? Jason Ramsay, keeper of collection­s, National Museum Jamaica, holds a terracotta bust of Mary Seacole.
CONTRIBUTE­D Jason Ramsay, keeper of collection­s, National Museum Jamaica, holds a terracotta bust of Mary Seacole.
 ??  ??
 ?? CONTRIBUTO­R ??
CONTRIBUTO­R
 ?? CONTRIBUTE­D ?? The baton used by Jamaica’s gold medal-winning 4 x 400 relay team at the 1952 Helsinki Olympics at National Museum Jamaica.
CONTRIBUTE­D The baton used by Jamaica’s gold medal-winning 4 x 400 relay team at the 1952 Helsinki Olympics at National Museum Jamaica.
 ??  ?? Vases in different shapes and sizes line the shelves at National Museum Jamaica. Every piece of pottery has a story to tell.
Vases in different shapes and sizes line the shelves at National Museum Jamaica. Every piece of pottery has a story to tell.

Newspapers in English

Newspapers from Jamaica