Jamaica Gleaner

Khago claims recognitio­n for fathers

- Mel Cooke Sunday Gleaner Writer

“To all you wonderful dads out there, y’nuh Although more time some a we deadbeat, y’nuh

A Khago, y’nuh Hey, dad, This one is reaching out to you

You never no sperm donor

Daddy, from you gone

Me know me did a go struggle

Me know sey me did a go struggle

My life pon Earth a no bed a rose For from you gone I no wear no proper clothes Good gosh, dad Is like you get a double kill You drop out too soon, You never get fe lef ’ a will ...” In Jamaican music, songs for ‘Mama’ are like Coaster buses in Half-Way Tree during peak hours – numerous, nigh indistingu­ishable from each other, yet serving a need in the consumers, who hop on board and take the predictabl­e journey over and over again.

Compliment­ary songs about daddy, on the other hand, much like a tourist bus in the same area – very, very rare.

Khago, who had a breakout year in 2010, is very well known for his song Nah Sell Out. Much less known is his late2009 recording, Daddy From You Gone, which chronicles his struggles after his father ‘Zaro’ died when he was seven years old. His father died while travelling by bus to see his family. Daddy From You Gone was recorded for Flava Squad at their Dumbarton Avenue, St Andrew, base, and Khago says that when he heard the rhythm, the song immediatel­y came to him without him putting pen to paper. “From me say ‘Daddy’, me jus’ start say everything me feel over the years, and it jus’ connect,” Khago said. “Me neva say me was going to write a song for my father. It jus’ come.”

EXPERIENCE­S WITH DAD

The song is a composite of his experience­s with his father, who he did not live with, and his seven siblings. The struggles in it, though, are all his. He deejays:

“Daddy, big Sunday morning I no eat no breakfas’

White squall take ova me mouth like lip gloss ...

If me say certain things, Dad, Yu would a turn an twis’ inna yu grave

Family woulda shame whe treat I like slave ... So me say, music, yu save me Music, yu save me When the pagan dem a try enslave me

A try kill me talent whe de Mos’ High gave me

A jus’ tru me skill make dem no grave me”

The hard work he had to do included tying out goats and collecting wood when others whose parents were around did not have to do that much. And Khago says that even when Khago

everybody was collecting wood, he had to make sure that his bundle was “taller than everybody else”.

He also deejays about missing his father’s presence now that he is a father himself:

“Dad I wish you were around to see my three sons grow

What hurt most is that them look like you ...”

“Me good ya now,” he said about his children.

However, being a father makes Khago miss Zaro even more.

He says in earlier years he had a feeling of missing his father. Now, he wishes his father was around “to steer me and even help me”.

Still, missing Zaro makes Khago more determined to be a good father himself.

“Especially boy pickney no make it without a father ‘round him. I mean a real father. If you a hooligan, it no really pencil out,” he emphasised, noting that no matter how a stepfather cares, may have more money than the child’s biological father, and the mother prefers him, it is just not the same.

In the closing stages of Daddy From You Gone, a voice representi­ng Zaro and speaking to his eight children, says, “Sandra, Bev, Colin, Maxine ... Oonu jus’ gwaan take care a yu mother, yu hear. Memba say daddy love you.”

And the memory of that love makes Daddy From You Gone very hard to perform.

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