Jamaica Gleaner

KEVIN MCINTYRE ESCAPES THROUGH ART

- jody-anne.lawrence@gleanerjm.com

What Kevin McIntyre saw as a means of escape from the wider world became something so much more than a hobby; it became a part of his soul.

WHAT KEVIN McIntyre saw as a means of escape from the wider world became something so much more than a hobby; it became a part of his soul.

Some talents are learnt and some are just natural. They flow through our veins and ooze from of our pores. This seemed to be the case for a little boy that was born and raised in St James, Jamaica, in a small rural community located 10 miles outside the city called Sunderland.

McIntyre remembers that in kindergart­en he drew a goat, and reviews that he got from teachers and adults was unbelievab­le. He never saw it as anything particular­ly unique or beautiful. In fact, the image of the goat is a blur to him now, but the memory of the excitement that day is quite vivid and he recalled feeling quite proud.

Drawing, however, was not always attached to great memories for McIntyre. His childhood was mixed and filled with ups and downs and some loneliness and hardships.

“My childhood was interestin­g as it was challengin­g. It was a time of hardship and loneliness, it was bitter and fun at some points, it was filled with terrible yet beautiful instances that made me laugh and cry, and it was when art became my reality. I would make my toys for my neighbours. It’s hard to recollect and not stay gloomy,” he tells Flair.

Art became a mode of escape for him. His reason for painting has

not completely changed, as he thought that it would when he became an adult.

“I thought that with time, my reason and focus would have changed to some profound philosophi­cal ideal, but it is still for the simple inescapabl­e and harsh realities that I face daily. In essence, art acts as therapy and a way to express myself in ways I may find difficult,” he admitted.

While it was a means of escape, he admits that he cannot give his artistic credit to his pain as he did grow up with a family of creative individual­s. His father was a cobbler, who he says tried his hands at everything. From shoemaking to carving, his father did it. Then there was a painting hung in his grandfathe­r’s home that was done by his uncle. It was these experience­s that made him believe that one day he would be creating these works even at a tender age. So a year after leaving Herbert Morrison Technical High in 1999, it was no surprise that he had started painting.

He has never stopped, but after years of painting, he decided to attend Edna Manley College in 2013. McIntyre already knew how to paint, but explaining his work was a bit difficult. He had never really given thought to creating them, but he wanted to be able to fully express the context and have fluent conversati­ons about his pieces. This is something that he is now able to do.

His dreams do not end with him being able to express his work, but being an entreprene­ur changing lives through art, where necessary. He plans to complete his master’s degree, and is in the process of giving back to Jamaica by assisting in art “where I see fit”.

If he could encourage his fellow artists, he would tell them, “Never stop creating and never try to be like anyone else. Be authentica­lly you and the world will recognise you as you and not a variant of another person. It will be difficult, but keep on creating. And, more important, pursue art as a business and not a hobby. I believe only then you will break the stigma of the starving artist.”

 ?? CONTRIBUTE­D PHOTOS ?? Kevin McIntyre and his piece ‘Black Lives Matter’ (at left).
CONTRIBUTE­D PHOTOS Kevin McIntyre and his piece ‘Black Lives Matter’ (at left).
 ??  ??
 ??  ??
 ??  ??
 ??  ?? Icon Acrylic on Canvas 2015.
Icon Acrylic on Canvas 2015.
 ??  ?? Portrait of the Colonized Plaster Composite on Hardboard 2017.
Portrait of the Colonized Plaster Composite on Hardboard 2017.
 ?? CONTRIBUTE­D PHOTOS ?? KThe Empowermen­t of Self Acrylic and Oil on Calico 2016.
CONTRIBUTE­D PHOTOS KThe Empowermen­t of Self Acrylic and Oil on Calico 2016.

Newspapers in English

Newspapers from Jamaica