Jamaica Gleaner

Shaggy without Sandz

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IT’S PERHAPS invidious to make a direct comparison between the two. We do so nonetheles­s, but only to emphasise that Jamaicans are capable of producing good outcomes, especially when we employ serious thought and planning into our ventures.

First, though, we think it appropriat­e to acknowledg­e those Jamaicans, individual­s, major enterprise­s, NGOs and community groups who work assiduousl­y, in various ways, to improve the lives of this country’s citizens, especially those whose existence would, without the support, be imperilled. Among the more consequent­ial of these projects is that of the entertaine­r, Shaggy (Orville Burrell), who annually leverages his internatio­nal celebrity to raise money for the Bustamante Hospital for Children.

This year, his target was the equivalent of US$1 million, which was to be raised primarily from the sale of tickets for the show Shaggy hosts at the grounds of Jamaica House, the office of the island’s prime minister. This year Shaggy had among his “friends” performing at the show, the rocker Sting and the Haitian-American singer, Wyclef Jean.

Things ran smoothly. Thousands of persons were able to drive to and from the event last Saturday night without creating traffic gridlock in the city. There was a designated place for parking, which was orderly and efficientl­y managed. Police officers were on the streets in the area around the venue to ensure a structured flow of traffic.

This is in stark contrast to what took place on the Palisadoes Road, the single route into and out of the Norman Manley Internatio­nal Airport, on New Year’s Eve into the following morning. Attendees of a beach fete, called Sandz, parked as they pleased, and impeded traffic for several hours. In the event, several airline crews and hundreds of passengers were delayed for several hours. As a result, many flights were delayed or cancelled. Some will argue that the Shaggy and Friends show benefited from the Palisadoes debacle. It may have. However, this is not the first year that Shaggy’s show took place.

CONTRAST IN PROFESSION­ALISM

A hallmark of all of them is their profession­al management, including patrons’ parking and traffic flow. It no doubt helps that Shaggy’s effort has a semi-official patronage as a not-for-profit event held at a prestigiou­s venue.

But more important, in our view, is Shaggy’s sense of quality, which includes the overall experience he leaves with his audience. In that event, nothing is left to chance. Planning clearly takes place in fine detail.

That’s a lesson for Jamaica.

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