Jamaica Gleaner

Now that Reggae Month is (almost) over

- Mel Cooke/Gleaner Writer melville.cooke@gleanerjm.com

WITH TOMORROW’S Jamaica Reggae Industry Associatio­n Honour Awards signalling that Reggae Month

2018 is almost over, as usual, I wonder what has been accomplish­ed.

Or, more to the point, what has been transferre­d from one generation of music makers to another, or what ideas have been circulated among those at various stages of their careers in Jamaican popular music. For while celebratin­g what has been done and some of those who have contribute­d significan­tly is important, there is continuity, sustainabi­lity and developmen­t to consider. They do, to an extent, go hand i n hand, but the latter trio requires a concentrat­ed push.

I am not, of course, saying that there was no attempt to do this in Reggae Month 2018. The Reggae Open University and Reggae Bizz series, for example, were geared towards doing that. But I have been to so many talks where valuable informatio­n is given for free, yet it is the already schooled who comprise the bulk of the audience, that I have just about given up. There has to be something intrinsica­lly wrong in a personal and profession­al developmen­t initiative being staged without charge and those who need it most ‘keeping wide’.

While the ‘I am already making a US dollar or few, so I don’t need this chatting crap’ mentality plays a factor, sometime last year, I had a flash of insight which has remained a steady beam. Some of those doing the talks really love to preen and show that they know, or have experience­d, instead of effectivel­y passing on what they know or have experience­d.

There is a huge difference between the two approaches and, of course, their effectiven­ess.

Also consider that persons involved in Jamaican popular music would very likely have had personal encounters with those giving the talks and these would act as filters to how the messages are received.

Don’t l et t he smiles and profession­s of unity fool you; there is significan­t ill will simmering below the surface of the music business beyond the outright clashes, and it affects from concert line-ups to workshops. People learn better from teachers they have not had run-ins with, naturally.

There is a solution to this. Put the informatio­n in a book, so that the material can be taught outside the immediate space, sometimes by those who write the text and/or speak extensivel­y in it and at also by persons who are further removed from the subject matter.

We may contend that persons will not read it, but there is the matter of relaying the past to generation­s yet to be born.

I can only hope that somewhere there is a plan to put the developmen­t and historical elements of Reggae Month into a physical book, which can also be published online, of course.

 ?? FILE ?? Reggae artist Etana (left) shares a laugh with Reggae Month’s Anna-Kay Williams during the Bob Marley celebratio­ns, part of Reggae Month activities at the Bob Marley Museum.
FILE Reggae artist Etana (left) shares a laugh with Reggae Month’s Anna-Kay Williams during the Bob Marley celebratio­ns, part of Reggae Month activities at the Bob Marley Museum.
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