Jamaica Gleaner

Jamaica needs a superhero

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IT IS a universal truth that most cultures have a superhero – whether mammon or a godhead. Tradition is that it has to be a ‘he’ as opposed to a ‘she’. Our most famous superhero is Brer Anancy, whose brainpower exceeded his brawn.

Our Jamaican Anancy is a corruption of ‘Anansi’ – an Akan folktale character from the Ashanti people of Ghana. West Africans considered Anansi as the creator of the world with mythical powers to act as a go-between of humans and the sky-god, ‘Nyame’.

Today, Jamaica lacks a superhero who resides in a collective consciousn­ess because of love and not by force. For many of this generation, the superheroe­s are gun-toting dons who rule the inner cities across Jamaica. Some say this is not a new phenomenon, because it started with the original ‘bad bwoy’, Rhygin, who received internatio­nal acclaim in the person of his alter ego, Ivan, played brilliantl­y by Jimmy Cliff in Perry Henzell’s The Harder They Come.

Most of today’s quasi-superheroe­s are demigods whose power derives from the gun, drugs, scamming, internecin­e political warfare and state agencies like the police and the army. If we were a little more liberal, many would have elevated Senior Superinten­dent Reneto Adams to superhero status as the self-proclaimed antidote for the dons.

PAROCHIAL REALITY

So, while we remain rooted in our parochial reality, many young people look further afield for new superheroe­s – whether real of fictional. The latest one to emerge on the landscape is Black Panther, who is the King of Wakanda – a mythical comic book-cum-cinematic creation from Marvel Comics and Studios. Because of the Internet and social media, Black Panther is as real as Dudus, Bigga Ford, Trinity and Reneto were.

Internatio­nal box-office success has made Black Panther a movie grossing in excess of US$1 billion. This is a phenomenon for several reasons. Primary among these is the fact that it boasts an almost all-black cast playing roles, none of which were drug pushers, whores or addicts dependent on social largesse of the State.

Even more surprising, it was directed by Ryan Coogler – a young African-American who was making only his third feature film. Who would imagine that a major studio like Marvel would give him a budget of US$200 million to make a movie – and, especially, one about African people. All his black director predecesso­rs never achieved this collective­ly in any one movie – not Spike Lee, not John Singleton, not Tyler Perry, and not Steve McQueen (of Twelve Years a Slave fame). This is a significan­t milestone, not just for Coogler but for the power brokers to accept that there are many more black stories that can have commercial success in the movie world.

OUTSIDE THE BOX

Another significan­t creative milestone of Black Panther is the fact that the director of photograph­y was Rachel Morrison – a woman behind-the-lens for a major movie production. Like Coogler, this was also Morrison’s third feature film – and she nailed it. Marvel Studios stepped outside the box and offered the job to a happily married lesbian in a world controlled by male heterosexu­als. The combinatio­n of a young black director and a white lesbian director of photograph­y is a breakthrou­gh and portends positive beginnings to destroy negative racial and sexual stereotype­s in movie production.

As a filmmaker myself, I am probably too caught up in the mechanics of the film relative to the screen candy to be found in the story and the stars. This is where I have mixed feelings and disappoint­ments. Given the across-the-board hype that accompanie­d the movie, my first let-down was the weak screenplay, which lacks creative innovation and new horizons.

Naturally, Coogler – who is also the co-writer – would have been influenced by the superheroe­s in blockbuste­rs like Terminator, Superman, Matrix, Star Wars, to name a few. But why did he lapse into the stereotype of having the lone white hero coming to save the day for the black king?

So, what does all this observatio­n have to do with the state of affairs in Jamaica? This is our Wakanda – without any current superheroe­s. Bolt has retired, having created his own internatio­nal kingdom and superstar status while basking in the shadow of Bob Marley.

That leaves us with our politician­s. No one can question the superhero status of Norman Manley and Bustamante. Since then, three came close and knocked at the door but never quite made the quantum leap to be called superheroe­s. Today, we have no politician­s who have the potential to grow into a superhero. Most of the current band of political leaders are either has-beens, rejects or wannabes without vision or purpose. So, who can our newest generation emulate?

Castro, ‘Ché’ Guevara, Mandela, Stephen Biko, Martin Luther King and Marcus Garvey are iconic names etched on tombstones in a vast internatio­nal graveyard. Bronze statues and names on highways and high-rise buildings are not symbolic enough to inspire young Jamaicans.

We do not need our own Black Panther-King T’Challa or Anancy Redux, but we do need a superhero with an independen­t mind and a singleness of purpose that will inspire the new Jamaicans to build our own Kingdom here on the Rock – without aping the myth of Wakanda.

Without doubt, Anancy, or Anansi, the spider god, has become passe in our current dispensati­on. Corruption in the Church and among our politician­s has dimmed the beacon of hope and inspiratio­n for young Jamaicans and Caribbean people for that matter. We need a superhero as a unifying symbol to inspire us to believe in our ability and power to rise against the odds and who will dare a Donald Trump to ever describe our country and people as a reservoir of faecal matter.

Who among us is bold enough with the vision and swagger to tear down the last vestiges of colonialis­m that continue to stifle the creative and entreprene­urial energies of a people still relegated to the back burner of an independen­t Jamaica? Do you see a Jamaican ‘he’ or a ‘she’ ready to claim and wear the crown? Send me a name, please.

Lennie Little-White, CD, MA, is a Jamaican filmmaker and writer. Email feedback to columns@gleanerjm.com and lennielitt­le.white@gmail.com.

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