Jamaica Gleaner

‘Black Sheep’ entertains

- Mickella Anderson YOUTHLINK WRITER

FABIAN BARRACKS never disappoint­s. High off the success of last year’s mega production, Wah Sweet Nanny Goat, the talented young writer and director is back with his newest project, Black Sheep, which fabulously highlights more of the social issues affecting our youth.

THE PLOT

Black Sheep follows the story of Shane, who has been the outcast child for most of his life. His mother, Cersey, sees him as a failure and, instead, embraces the prized child, Chelsea, who is pursuing studies abroad.

Shane has a love for music and is sometimes seen penning tunes and performing them for his girlfriend, Kizzy. He dislikes his mother’s relationsh­ip with the abusive Danny, and is soon kicked out of the house his deceased father had built, after Danny frames him for stealing from his mom. He finds refuge on the street through his friendship with the ‘in-the-streets’ Squeegee, who teaches him the art of windshield cleaning, his new pastime.

With the support of Kizzy and Ras, Shane enters a popular talent contest where he

must pull strength from his adversitie­s to achieve a compromise and the $1 million cash prize, all while searching for his mother’s love.

DELIVERY

Every Fabian Barracks production is an experience. The actors, in usual fashion, deliver very realistic performanc­es marked by precise, comedic timing and on-stage chemistry. The lead, Shane, played by Kevin Broomfield, is a powerhouse who displays aggressive male emotions convincing­ly, seen in the many scenes in which he challenges his mother Cersey (played by Jodiann Findley) to see more in him. To top it off, the youngster sings exceptiona­lly well and delivers a few radio-ready tracks throughout the play, as demanded by the role.

The feisty Kizzy, payed by Christina Harris, is an audience favourite, thanks in part to her role as Prada in Wah Sweet

Nanny Goat last year. Her roles in both

production­s are similar, and the actress certainly knows how to make her character memorable.

She is often challenged by Findley’s mighty character, Cersey, and with the actors who play Danny and Squeegee, the five-man cast delivers an exceptiona­l performanc­e that feels all too real.

Certainly, Barracks Entertainm­ent knows how to fully engage its audience in even the tiniest ways. After each scene, the deejay blares some of today’s hottest tunes that best highlight the message of the scene, something that has the packed room either on its feet or cheering in excitement every time. There are also references to real-life occurrence­s in the production itself, such as an actress playing Yanique Barrett, dressed in bodysuit, hosting the talent show and a playback of a pre-recorded Miss Kitty commending Shaney on his exceptiona­l, authentic (and other big words used by Miss Kitty) performanc­e.

FINAL THOUGHTS

Black Sheep does more than entertain. The production highlights a different side of the teenage experience in our Jamaican society, including healthy boy-girl intimate relationsh­ips, as seen in Kizzy’s blatant refusal to have sexual intercours­e with Shane. In a society where male entitlemen­t is a common issue, Black Sheep shows where some of our boys are the ones who have to fight the hardest for approval. Hats off to Barracks Entertainm­ent for another great show!

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