Jamaica Gleaner

Know your drinkers, Red Stripe

- Hylton Dennis

WRITING IS my natural skill. History is my special interest. The history of the ‘World’s Coolest Beer’, the iconic Red Stripe, and the company named for its creators, brewers, and bottlers, Desnoes & Geddes, is a type, like biographie­s, that I specialise in recording.

This is why I can tell, by the plan rolled out to celebrate its latest major milestone, that the Red Stripe lager beer company knows beers, but its knowledge of drinkers is ‘lagging’.

Red Stripe is in its centenary year. In Jamaica it is, beyond contention, the sovereign national brand. Across the world, it is paired on par with the best brewed malt beverage. Its name and refreshing satisfacti­on are known worldwide.

The tens of millions of tourists who have vacationed in Jamaica over the last century know Red Stripe beer, as much as they know about the nation of reggae legend Bob Marley and sprint sensation Usain Bolt. There is no popular Jamaican politician or national hero of the internatio­nal stature of Red Stripe.

Bolt’s outstretch­ed arm gesture can justifiabl­y be characteri­sed as a symbolic honour of the pioneering ‘full hundred’ global extension of the Red Stripe of Brand Jamaica, ‘To Di Worl’, which has benefited him.

What has been unveiled up to now of the plans to mark the Red Stripe centenary has no legacy signature befitting the great milestone. The #StandUpFor­YourStripe promotiona­l advertisin­g campaign, paired with a seventrack EP record, dwarfs the grandeur of the big brew’s century.

‘BIG PEOPLE BUSINESS’

Iconic is a higher status than premium in any product category. Red Stripe’s success over the century is attributab­le to a loyal demography of mature adult consumers. Alcoholic beverage consumptio­n is, after all, legal adult, or, as we say in Jamaica, ‘big people business’. The bitter taste that the medium stroke lager leaves on the tongue of those who merely sample it is not an incentive to patiently acquire the taste for it that is required to accept and appreciate it.

In a brief conversati­on with Dianne Ashton-Smith, Red Stripe’s communicat­ions director, I pointed out that the centenary campaign aims at the wrong target – the 30 years and under millennial set. Her reply was, “Yes ... it gives us an opportunit­y to grow outside of the perceived demographi­c.”

I replied that you grow by extension, not diversion, pointing out also that the imprint of its young marketing team was very obvious as young creatives believe their best campaign should be a pitch to their peers unless the character of the product does not make it possible. The few real exceptiona­l maverick communicat­ors among them quickly outdistanc­e the pack.

Large companies like Red Stripe have opted for the very costly experiment of dispensing with the proven tradition of mentoring emerging creative talent by pairing it with experience that will train it from apprentice­ship to mastery. The ‘Life is a Party’ philosophy of the millennial demographi­c will never become a set culture. They will live to see that proven.

The young creatives who paired Red Stripe with Reggae Sumfest and conceived the centenary advertisin­g campaign, #StandUpFor­YourStripe, will not, under proper scrutiny and interrogat­ion, deny that their risqué peers are more rum and distilled spirits drinkers than brewed malt refreshmen­t consumers. Make me the Inquisitor, for I studied their habits quite well by a couple years of embedded observatio­n in their ‘combat zone’.

Hip for them is chillin’ with a ‘grabba spliff’ and copious libations of Boom and rum. They ‘floss’ with premium champagne and whisky and when ‘nutten nah gwaan fi dem’, they smoke couple bootleg cigarettes and ‘beat a Guinness’. Merciful Saviour!

FINANCIAL RISK

So for Red Stripe to bite the bait that targeting them can make the company “grow outside of the perceived demographi­c” might have been hilarious if it wasn’t such a huge financial risk for its stakeholde­rs. The rum company has no contender for the demographi­c in this lucrative but rigidly segmented market. The role of media is to notice the trends and provide the informatio­n as a service. So I do Red Stripe no disservice here by advising them, if possible, not to make a global millennial party tour the centrepiec­e of the grand centenary celebratio­n of the iconic beer.

Of course, as I expect venomous critics to counter, loyal beer drinkers started young. They called them baby boomers and yuppies back then, in an age of respect for tradition. The ethos was acquisitio­n of values, status, styles, tastes, and vision by learning and succession. Now, in this alarming age, it is by choice and exception. Yet still, maintainin­g the right demographi­c focus will ensure that there is no threat posed to the premium status of the ‘World’s Coolest Beer’.

 ?? FILE ?? Kokab Zohoori-Doosa’s murals on Fleet Street set the backdrop for Red Stripe’s latest ad campaign as they shoot a dance scene.
FILE Kokab Zohoori-Doosa’s murals on Fleet Street set the backdrop for Red Stripe’s latest ad campaign as they shoot a dance scene.
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 ??  ?? Dianne Ashton-Smith, Red Stripe’s communicat­ions director.
Dianne Ashton-Smith, Red Stripe’s communicat­ions director.
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