Jamaica Gleaner

Cosby sentencing reveals generation­al divide over his legacy

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KEON MCGUIRE has no real attachment to Bill Cosby or his landmark show. As a black man, he’s aware of the sitcom’s place in pop culture, but he was barely in elementary school when The Cosby Show went off the air. Years later, he mostly tuned Cosby out after a widely panned speech to the NAACP in 2004, when the star ranted about black mothers, clothing choices, and language.

“That, for me, was kind of an emotional – I won’t say reckoning – but it made me reposition how I felt about Bill Cosby as this figure within the larger representa­tion of black leadership,” said McGuire, a 32year-old education professor at Arizona State University.

FINAL CHAPTER

McGuire’s mindset reflects a broader generation­al divide over Cosby, who is scheduled to be sentenced on Monday in a Philadelph­ia courtroom for drugging and molesting a woman. The sentence – anything from probation to 30 years in prison – will mark the final chapter of the 81-year-old entertaine­r’s resounding fall from grace.

Those who grew up viewing Cosby’s NBC show struggle to reconcile the conviction with the wise, warm television father they knew. But many millennial­s see him as a long-irrelevant figure, and the #MeToo era has cast him as someone who was deservingl­y vanquished, like so many other misbehavin­g men in power.

“The generation­al gap plays a huge role in the contrastin­g, at times conflictin­g, views of Cosby’s cultural importance,” said Michael Eric Dyson, a sociologis­t at Georgetown University. “Those of us who are older have memories of Cosby as a cultural ambassador, a black icon, and an American hero.”

Jon François, a 26-year-old radio deejay in Lyndonvill­e, Vermont, was too young to have grown up with

The Cosby Show.

But he became a fan as a child when he found his parents watching reruns on cable. He didn’t see it as a rarity until he later compared the show to older sitcoms that depicted the black experience as more lower class. Cosby’s Cliff

Huxtable was a doctor and his wife, Clair, a lawyer in New York City.

“It wasn’t until I got older and kind of studied The Cosby Show, that I realized ‘Oh hey, this was a groundbrea­king thing to have a black family portrayed like this as upper middle class.’” When sexual assault allegation­s started to surface against Cosby in large numbers, François said, younger relatives were more objective about it. The claims by women were too much to ignore. But his mother and aunt had the hardest time believing the accusation­s.

THE IDEA OF BILL COSBY

“They were still stapled on the idea of Bill Cosby, the man they enjoyed and loved so much on TV, America’s dad, that they just didn’t really want to acknowledg­e the fact that he’s an alleged rapist,” François said. An underlying issue is the lack of humanising portrayals of African-Americans in popular media, he added.

“If anything, that’s a serious indictment on the culture, that someone would feel losing Cosby is losing a positive representa­tion of black folks,” he said. The entire ordeal leaves him with mixed emotions – mostly sadness and disappoint­ment.

“If all this sexual assault stuff didn’t happen, he could have retired and went off into the sunset and had this great legacy left behind as a groundbrea­king comedian-actor who paved the way for so many AfricanAme­ricans,”

François said.

“It’s so surreal even now he’s being convicted.”

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