Jamaica Gleaner

A cultural exchange between India and Ja

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IN CELEBRATIO­N of the Indian Council for Cultural Relations’ (ICCR) Foundation Day last Tuesday evening, it was announced that a memorandum of understand­ing (MoU) developed to facilitate cultural exchanges in music, dance, theatre, art exhibition­s, archaeolog­y, archiving, museums, literature festivals and youth programmes will be in effect from 2019 to 2024.

The MOU is well-timed, introduced months after New Delhi hosted its dancehall camp, INDIES VIBEZ UP! The camp was developed by Dancehall India, founded by Shankaraa Satchi, who created the platform with the hope of spreading dancehall culture across India. New Delhi is also home to India’s first reggae sound system, started by Taru Dalmia.

Appropriat­ely, the evening’s entertainm­ent offered a taste of the potential of increased cultural exchange. Members of the Naataanjal­i Dance and Art Group performed an ‘Indian-fusion’ performanc­e – cultural

Indian dance choreograp­hed to a dancehalli­nfluenced Indian pop song. Done with traditiona­l Indian dance moves, it was the perfect example of how both cultures could be intertwine­d.

The group was made up of predominan­tly very young dancers, though the moves weren’t perfect, they were extremely adorable. They didn’t nail the technicali­ties of the intricate hand movements, and the synchronis­ed moves were a bit off, but their dedication and beautiful saris still had the audience captivated. It was clear that a passion for dancing is something shared by both Jamaicans and Indians.

The audience was treated to two more dances, choreograp­hed by Prerana Prashant Singh and presented by dancers from the Mudra Art Group.

“I can confirm that the Government and the people of Jamaica are looking forward to strengthen­ing the already rich cultural ties between our two countries,” permanent secretary in the Ministry of Culture, Gender, Entertainm­ent and Sport, Denzil Thorpe, said.

Foundation Day celebratio­ns also invited Custos Errol Johnson, alumnus of the ICCR, who shared the fruits he reaped from being a member of the council.

He recalled that his great-grandfathe­r came to Jamaica on a boat with a sack. Then, in the 1970s, he, Johnson, made the return journey by plane – with a suitcase – among a cohort of students sent to India to study.

“One of the beautiful things about this programme was that in my cluster of 248 students, we had representa­tives from 18 different countries. I learned first-hand why the Palestinia­ns are rebelling, what was happening in Iran. I learned why Zimbabwe had guerillas – because one of them was my roommate, – who I was afraid of because he was a big fellow. I knew why the people from small African countries could survive by living off the sea,” Johnson reported, highlighti­ng the importance of cultural integratio­n.

 ?? SHORN HECTOR/PHOTOGRAPH­ER ?? The young dancers of the Naataanjal­i Dance and Art Group get an A for effort.
SHORN HECTOR/PHOTOGRAPH­ER The young dancers of the Naataanjal­i Dance and Art Group get an A for effort.
 ?? A member of the Naataanjal­i Dance and Art Group performing. ??
A member of the Naataanjal­i Dance and Art Group performing.
 ??  ?? The Mudra Art Group performing at the Foundation Day of the Indian Council for Cultural Relations. SHORN HECTOR/PHOTOGRAPH­ER
The Mudra Art Group performing at the Foundation Day of the Indian Council for Cultural Relations. SHORN HECTOR/PHOTOGRAPH­ER

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