Jamaica Gleaner

Storytelle­rs gather for a group photograph in Cuba.

- n Amina Blackwood Meeks, PhD, is a lecturer and college orator at The Edna Manley College of the Visual and Performing Arts. Send your feedback to principal@emc. edu.jm.

profession-outlining that it requires special education and training; delivers a specific service to individual­s and communitie­s from which the entire nation then benefits; and continues to accrue in value, requiring regular, renewed investment by the storytelle­rs in order to remain current.

Currently, all performers in Cuba are certified in their given discipline­s. Certificat­ion of actors includes their training in storytelli­ng. The present campaign, however, is for certificat­ion of storytelle­rs as discrete and separate from certificat­ion as actors.

We were given a glimpse of the applicatio­n of storytelli­ng to community developmen­t in Marianao at the Proyecto Akokan. Here, the community was allowed to repurpose a disused stadium into a community centre for training in the arts and a variety of community developmen­t interventi­ons, including reclamatio­n of their traditiona­l religions.

During the festival, a new community space was opened. At the centre of this space is a tree renamed El Arbol de Las Palabras (Tree of Words), marked as a space for storytelli­ng. Jamaica was given the honour inaugurati­ng the tree, and the first story told at that tree was “Ananse and The Wisdom Calabash”.

Now we need, once again, to run with something for which the world not just salutes us, but is waiting to be instructed by us: the teaching of storytelli­ng as a profession and a tool for empowering individual­s and building communitie­s.

We thank the Ministry of Culture, Gender, Entertainm­ent and Sport for facilitati­ng our participat­ion in the Primavera Festival and anticipate the deliberate facilitati­on of storytelli­ng in the realisatio­n of Goal #1 in Vision 2030, “authentic and transforma­tional culture”.

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