Jamaica Gleaner

Gayle, Edwards in T20 squad to face Sri Lanka

Harding

- ST JOHN’S, ANTIGUA (CMC):

THE AGING pair of Chris Gayle and Fidel Edwards have been named in a 14-man West Indies Twenty20 squad announced yesterday to face Sri Lanka in a three-match series starting next week.

The left-handed Gayle, 41, has not played in nearly two years, while the 39-year-old Edwards has not featured for West Indies in nearly a decade.

Uncapped Guyanese off-spinner Kevin Sinclair has been named in both the T20 and One-day squads, which will be led as expected by Kieron Pollard.

However, fast bowlers Sheldon Cottrell and Oshane Thomas, along with batsman Shimron Hetmyer, and all-rounder Roston Chase, were all overlooked for selection after failing fitness tests.

SQUADS:

T20I – Kieron Pollard (captain), Nicholas Pooran (vice-captain), Fabien Allen, Dwayne Bravo, Fidel Edwards, Andre Fletcher, Chris Gayle, Jason Holder, Akeal Hosein, Evin Lewis, Obed Mccoy, Rovman Powell, Lendl Simmons, Kevin Sinclair.

ODI – Kieron Pollard (captain), Shai Hope (vice-captain), Fabian Allen, Darren Bravo, Jason Holder, Akeal Hosein, Alzarri Joseph, Evin Lewis, Kyle Mayers, Jason Mohammed, Nicholas Pooran, Romario Shepherd, Kevin Sinclair.

MUSIC PRODUCER Jeremy Harding says local support is needed for Spotify to impact streaming numbers for Jamaican artistes and podcasters. On Monday, the popular streaming platform announced that it would be expanding to more than 80 new markets, including Jamaica.

The news was met with general excitement from industry profession­als. It is believed that the platform becoming available in Jamaica will boost streaming numbers for the island’s artistes and podcasters. But while the prospect brings hope for improved streams, Harding says

Spotify in Jamaica may not have the desired effect many yearn for.

“We already had Apple Music being launched in Jamaica, and Apple being here has not made any significan­t impact. Our artistes have not made any great gains,” Harding said. Apple Music expanded to 52 countries, including Jamaica, in April 2020.

The producer notes the unwillingn­ess of Jamaican fans to pony up the subscripti­on fee as one possible hindrance. “There is a hope that if an artiste releases a song and on Youtube [and] it gets to a million views, it will get the same million views on Spotify. The dream is that the viewers and listeners on Youtube will migrate to Spotify, that the Jamaican fans

locally who support music they will now support it on Spotify, but the fact of the matter is that Jamaicans not paying US$9.95 a month for any streaming service,” he said.

The other hindrance is: Jamaicans also have a wellnurtur­ed appetite for free music. Adding another paid platform will bring the same results. “Culturally, Jamaicans are not accustomed to paying for music in any form. When we had physical records in Jamaica, you still had to have a foreign/smash hit to be able to make a dent in the market or see any real money. Nobody really bought 45s. When we had 99 cents downloads, nobody paid for downloads. We all ripped music for free and shared it. People are just not going to pay for it,” the producer shared.

Harding hopes he will be proved wrong but maintains that for Jamaica’s addition to the Spotify list to make any real impact, Jamaicans would have to support by paying for their subscripti­on. “It’s an additional stream of income that artistes may not have had before, but it’s incrementa­l. It’s not saving the industry. It’s not going to be like, ‘Hey, great Spotify is here now we can all eat a food’. Yes, there is a part of Spotify that’s free, but the rate of payment on the free part is substantia­lly less than on the paid, so it’s going to take an artiste right back down to the same Youtube-style numbers, to be honest,” he said

He also notes that Spotify’s addition will have no drastic effect on the Billboard chart if it is not supported. “How many people in Jamaica are going to stream to make numbers go so significan­tly up that Billboard is going to recognise it? We have three million people in Jamaica. How many people are actual streamers on a regular basis? How many people are going to put the Spotify app on their phone and stream the music?” he asked.

For Harding, it all boils down to support. “As a music producer, of course, I would want to see Jamaica upgrade to the standard of the world, and we start really using these platforms and supporting our artistes but let’s be real here, it (Spotify) being here is not going to make enough of a dent to impact any of those things without some strong support. I hope to be wrong because I would love to see a day when Jamaicans pick up Spotify and pay for their account and switch from saying lemme use the free platform, but I haven’t seen it happen yet with any of the other platforms that have been here,” he said.

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 ??  ?? Producer Jeremy Harding says Spotify in Jamaica may not have the desired effect many yearn for.
Producer Jeremy Harding says Spotify in Jamaica may not have the desired effect many yearn for.

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