Jamaica Gleaner

WARE Living Museum takes shape

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THE DEVELOPMEN­T of Jamaica’s first ‘living museum’, the WARE Living Museum of Built Heritage and Traditiona­l Crafts, located in southern Elizabeth is well advanced. This open-air/living museum concept is on track to be a unique Caribbean, heritage-focused, community-based, experienti­al tourism innovation. To date, the museum’s first restored historic building, the Vassel House, is 70 per cent complete and a GoFundMe crowdfundi­ng campaign has been launched to complete the project.

Advocates of the innovative living museum concept, The Wattle & Red Earth (WARE) Collective, said the non-profit organisati­on was set up by a group of heritage and art enthusiast­s. The group’s members aim to educate and preserve traditiona­l arts, crafts, and building techniques in southern St Elizabeth, and eventually, other parts of Jamaica. “These ways of living and the building techniques are being lost and undervalue­d, so we need to teach the next generation how to preserve them,” said Carol Campbell, artist and board director of WARE Collective.

In January 2021, WARE deconstruc­ted a Spanish wall dwelling set for demolition and relocated the building to the Living Museum site in Malvern Chase. Spanish wall structures were built by enslaved Africans and their descendant­s using earth, stone, white lime, and lumber.

Over the past two years, WARE has recruited a motivated group of five apprentice­s from the local community to work under the direction of Guy ‘Maas Guy’ Parchment, 81-year-old master builder, to restore the first structure in the living museum series.

Guy has been training Marsha, Bally, O’Neil, Vincent, and Blade to reconstruc­t the Vassel House from the ground up to the ridge. “As part of the training, the local apprentice­s have learned valuable techniques and have been applying them to wood selection as well as the building and firing of a traditiona­l lime kiln. They also now understand how to select red earth for mortar, lay limestone, thatch, and to carry out basic lime rendering,” said Ann Hodges, architect and WARE Collective board director.

According to her, funds were depleted at the end of March this year and brought the project to a standstill. The WARE Collective now seeks to raise US$6,500 to purchase materials and pay and train the apprentice­s for up to five more weeks for project completion.

“So far, we have raised US $2,540, but we are optimistic that we will receive even more favourable responses in the coming weeks as Jamaica stands to again lead a regional movement towards preserving our heritage and offering visitors and locals an alternativ­e visitor attraction,” Hodges said.

She said the GoFundMe proceeds would go towards completing the thatching on the Vassel House; building a fourth lime kiln; completing the Spanish wall infill; rendering the walls inside and outside with lime plaster; whitewashi­ng the interior and exterior walls; installing joists and flooring; repairing and restoring the existing doors and windows; repairing internal walls; installing light and power, and preparing the exterior for water run-off and wheelchair access.

‘... we are optimistic that we will receive even more favourable responses in the coming weeks as Jamaica stands to again lead a regional movement towards preserving our heritage ...’

 ?? CONTRIBUTE­D PHOTOS ?? Partially reconstruc­ted Spanish wall and thatch roofed 100-year-old Vassel House.
Jamaica-based donors who would like to support can make direct deposits to:
Bank: JMMB Bank (Haughton Terrace, Kingston)
Account Holder: The Ware Collective Limited JMD Smart Business
SME Chequing Account 0060001778­33
CONTRIBUTE­D PHOTOS Partially reconstruc­ted Spanish wall and thatch roofed 100-year-old Vassel House. Jamaica-based donors who would like to support can make direct deposits to: Bank: JMMB Bank (Haughton Terrace, Kingston) Account Holder: The Ware Collective Limited JMD Smart Business SME Chequing Account 0060001778­33
 ?? ?? The WARE Collective apprentice­s at work during the reconstruc­tion process.
The WARE Collective apprentice­s at work during the reconstruc­tion process.

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