Jamaica Gleaner

Inside BOB Marley’s posthumous musical and merchandis­ing empire

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THE LONG-AWAITED Bob Marley biopic One Love highlights important moments in the musician’s life – his adolescenc­e in Trench Town, his spiritual growth, the attempt on his life. Marley died in 1981 at the age of 36. He’d achieved a level of mainstream success unrivalled by other reggae acts, and he did so while challengin­g global capitalism and speaking to the oppressed. Now you can buy Bob Marley backpacks, Bob Marley jigsaw puzzles – even Bob Marley flip-flops.

In its 2023 list of highest-paid dead celebritie­s, Forbes placed Marley in the ninth slot, right behind former Beatles front man John Lennon. According to the publicatio­n, Marley earned US$16 million – or rather, his estate did.

Marley’s business affairs are now controlled by family members – the estate – who have made deals with various merchandis­ing and marketing partners, with all parties sharing in the profits. The commercial power of Bob Marley’s name generates the royalties earned by the estate, though precise percentage­s are not publicly available.

One posthumous musical release, in particular, has been a gold mine: Marley’s Legend compilatio­n album.

Released in 1984 and featuring mainstays like Could You Be Loved and Three Little Birds, it’s the most successful reggae album of all time. It has sold over 15 million copies in the US and has spent more than 800 non-consecutiv­e weeks on the Billboard 200. Collective­ly, its tracks have accounted for well over 4 billion Spotify streams, and its phenomenal success is a key reason that the private music publishing company Primary Wave, which is backed by investors such as BlackRock, spent over US$50 million to buy a share of Marley’s publishing catalogue in 2018.

A series of other albums have been released after Marley’s death. These include Natural Mystic (1995); the pop and hip-hop crossover Chant Down Babylon (1999); Africa Unite (2005); Uprising Live! (2014), which features his final concert appearance; the polarising electronic mashup Legend Remixed (2013); Easy Skanking in Boston ’78 (2015); and Bob Marley & the Chineke! Orchestra (2022).

The Legend album has earned more than these later releases combined. But the material absent from that record speaks volumes.

In his 2022 autobiogra­phy, Chris Blackwell, the former head of Island Records, the label that brought Marley’s music to mainstream listeners, revealed that Legend had been carefully tailored for white mainstream audiences.

It achieved this by prioritisi­ng songs centred on themes of love and peace, rather than those about Marley’s revolution­ary Afrocentri­c politics and Rastafaria­n world-view, which appear on records such as 1979’s Survival.

On that album’s second track,

Zimbabwe, Marley commends the country’s freedom-fighters in their battle against the oppressive Rhodesian regime, declaring, “Every man got a right to decide his own destiny”; he rails against the forces of exploitati­on and division in Top Rankin’ and Babylon System; in Survival, he hails the African world’s “hopes and dreams” and “ways and means”; and Wake Up and Live is a clarion call to spiritual and political awakening.

These tracks don’t appear on Legend. In fact, none of the tracks from Survival do.

And so four decades after his death, Bob Marley remains the world’s top reggae artiste. But it’s his lighter, less controvers­ial fare that’s establishe­d him as a global superstar.

MERCHANDIS­ING A MYSTIC

In an era of minuscule music royalties, a large portion of that US$16 million in earnings also comes from merchandis­ing. You can now buy Bob Marley-themed coffee, ice cream and body wash. There’s sustainabl­y sourced, Bob Marley-branded audio equipment, in addition to a line of Bob Marley skateboard decks.

The cannabis brand Marley Natural shows how the Marley name has become commercial­ly intertwine­d with corporate America.

It’s funded by the American private equity company Privateer Holdings, which the Marley family had approached to gauge their interest in collaborat­ion for the product’s release. The creators of the Starbucks logo were hired to design the logo for Marley Natural. One notes the irony of the private equity firm calling itself ‘Privateer’. Privateers were commission­ed ships involved in plundering and murder across the Caribbean during enslavemen­t and would be among the “old pirates” Marley sang about in his mournful Redemption Song.

The artiste’s popular songs and lyrics have also been adopted as marketing tools. In 2001, his daughter Cedella, who runs parts of the estate, released a fashion line called Catch a Fire. The name comes from the Wailers’ first internatio­nal album, which the group released in 1973. On it, tracks like Slave Driver, Concrete Jungle and 400 Years connect the poverty of the present to the injustices of the past. There is also Marley-themed hot sauce.

The One Love movie backed by Paramount Pictures – with four Marleys listed as producers – will certainly extend the mythologie­s and harsh realities of Bob Marley’s all-too-brief life, which was cut short by melanoma. But it’s also a massive internatio­nal marketing vehicle for the sale of even more officially branded merchandis­e. The fact that people so eagerly buy products with Marley’s face and words reflects the profound connection he continues to have with his listeners.

 ?? ?? Ziggy Marley, son of reggae legend Bob Marley and producer of the film ‘Bob Marley: One Love’, poses on the black carpet during the Los Angeles premiere.
Ziggy Marley, son of reggae legend Bob Marley and producer of the film ‘Bob Marley: One Love’, poses on the black carpet during the Los Angeles premiere.
 ?? ?? The soundtrack for ‘Bob Marley: One Love’ includes 17 classic recordings by Bob Marley and the Wailers.
The soundtrack for ‘Bob Marley: One Love’ includes 17 classic recordings by Bob Marley and the Wailers.
 ?? AP PHOTOS ?? Island/UMe celebrated the ‘Bob Marley: One Love’ biopic with the release of a limited edition of the ‘Exodus’ LP.
AP PHOTOS Island/UMe celebrated the ‘Bob Marley: One Love’ biopic with the release of a limited edition of the ‘Exodus’ LP.
 ?? ?? Island Records founder Chris Blackwell poses at the premiere of the film ‘Bob Marley: One Love’ on Tuesday in Los Angeles.
Island Records founder Chris Blackwell poses at the premiere of the film ‘Bob Marley: One Love’ on Tuesday in Los Angeles.
 ?? ?? This image released by Paramount Pictures shows Kingsley Ben-Adir in ‘Bob Marley: One Love’.
This image released by Paramount Pictures shows Kingsley Ben-Adir in ‘Bob Marley: One Love’.

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