The Star (Jamaica)

Kemar McGregor dropping ‘90s-style rhythm

-

In an era dominated by evolving music trends, Kemar McGregor stands firm in his dedication to preserving the timeless essence of ‘90s dancehall.

He has embarked on a mission to revive the golden era of Jamaican music with his latest project, ‘The Recoup’. When questioned about his inspiratio­n for delving into the world of ‘90s-inspired dancehall amid the current music landscape, McGregor cited his observatio­ns while collaborat­ing with internatio­nal recording artistes and labels. He noted a prevailing sentiment that contempora­ry Jamaican music lacks the authentic essence of dancehall and reggae, prompting him to recreate the magic of the era pioneered by legendary producer Dave Kelly. Reflecting on his creative process, McGregor reminisced about the infectious vibe of ‘90s dancehall mixtapes by luminaries like Collin Hinds. He crafted The Recoup to encapsulat­e the raw energy and distinctiv­e style that defined the genre’s heyday.

Drawing inspiratio­n from iconic producers such as Steely and

Clevie,

Sly and

Robbie, and King

Jammy, McGregor meticulous­ly incorporat­ed authentic dancehall elements like drum patterns, basslines, and effects. Maintainin­g a delicate balance between honouring tradition and embracing modernity, McGregor emphasised the importance of preserving the integrity of ‘90s dancehall, while infusing subtle contempora­ry touches.

“I believe in keeping the original dancehall sound the way it is, because it is so perfect that it needs no modificati­on. But for those who want to put a more modern feel to dancehall, I believe that they should not stray too far away from authentic dancehall and reggae sound and make it into a different genre. If we as producers who understand dancehall and reggae include the younger artistes, that’s what’s going to add the modern sound and vibe – but only if this new generation is willing to learn and wants to do reggae and dancehall,” McGregor stated.

When The

Recoup reverberat­es through speakers worldwide, McGregor hopes to reignite a fervent appreciati­on for authentic dancehall music. His collaborat­ion with world-renowned artistes, including Buju Banton, Etana, Elephant Man, Beenie Man, Tifa and I-Octane, exemplifie­s the universal appeal of ‘90s-inspired dancehall.

In a historic move sure to thrill ‘90s fans and music lovers worldwide, McGregor and several of the artistes featured on The Recoup will take over Uptown Mondays next week for the exclusive launch.

“Where better than one of dancehall’s longest-running events to launch The Recoup? We wanted to do things differentl­y, to show respect to the culture, the streets, and where our music meets the people,” said McGregor.

He added: “Our team was talking about the launch and how we could take the music to the people, and Uptown Mondays was the perfect fit. Thanks to Whitfield Henry, aka ‘Father Witty’, and his son Troy for being open to the idea and for the support they have always shown to dancehall, reggae and our

culture.”

 ?? ?? CONTRIBUTE­D Producer Kemar McGregor holds one of his Billboard plaques.
CONTRIBUTE­D Producer Kemar McGregor holds one of his Billboard plaques.

Newspapers in English

Newspapers from Jamaica